Erasto (Es) - Revision history

Noeth at 13:23, 18 February 2026

2026-02-18T13:23:53Z

← Older revision		Revision as of 13:23, 18 February 2026
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	Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by [[Mario Teluccini, Erasto in verse\|Mario Teluccini in 1566.]]		Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by [[Mario Teluccini, Erasto in verse\|Mario Teluccini in 1566.]]
			\|Has Branch Of Tradition=Seven Sages of Rome
	\|Has Parent Version=I (Versio Italico)		\|Has Parent Version=I (Versio Italico)
	~~\|Has Branch Of Tradition=Seven Sages of Rome~~
	\|Is Adapted From=L'Amabile di Continentia (Em)		\|Is Adapted From=L'Amabile di Continentia (Em)
	\|Has Language Of Version=Italian		\|Has Language Of Version=Italian
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	\|Has Date Of Text Composition=1542		\|Has Date Of Text Composition=1542
	\|Has Source For Date Of Text Composition=Wikeley (1983)		\|Has Source For Date Of Text Composition=Wikeley (1983)
	~~\|Has Text Language=Italian~~
	\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984); Eichel-Lojkine (2014)		\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984); Eichel-Lojkine (2014)
	\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)		\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)

Noeth: Text replacement - "Has Original Language Of Version" to "Has Language Of Version"

2026-01-27T12:22:07Z

Text replacement - "Has Original Language Of Version" to "Has Language Of Version"

← Older revision		Revision as of 12:22, 27 January 2026
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	\|Has Branch Of Tradition=Seven Sages of Rome		\|Has Branch Of Tradition=Seven Sages of Rome
	\|Is Adapted From=L'Amabile di Continentia (Em)		\|Is Adapted From=L'Amabile di Continentia (Em)
	\|Has ~~Original~~ Language Of Version=Italian		\|Has Language Of Version=Italian
	\|Is Translated Into Languages=English; French; Old Spanish; Spanish		\|Is Translated Into Languages=English; French; Old Spanish; Spanish
	\|Has Place Of Text Composition=Northern Italy		\|Has Place Of Text Composition=Northern Italy

Bonsall at 16:32, 12 December 2025

2025-12-12T16:32:00Z

← Older revision		Revision as of 16:32, 12 December 2025
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	\|Has Source For Date Of Text Composition=Wikeley (1983)		\|Has Source For Date Of Text Composition=Wikeley (1983)
	\|Has Text Language=Italian		\|Has Text Language=Italian
	\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984)		\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984); Eichel-Lojkine (2014)
	\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)		\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)
	}}		}}

Bonsall at 18:12, 9 December 2025

2025-12-09T18:12:40Z

← Older revision		Revision as of 18:12, 9 December 2025
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	At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).		At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).

	Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by [[Mario Teluccini, Erasto~~. Pesaro: Girolamo Concordia, 1566.~~\|Mario Teluccini in 1566.]]		Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by [[Mario Teluccini, Erasto in verse\|Mario Teluccini in 1566.]]
	\|Has Parent Version=I (Versio Italico)		\|Has Parent Version=I (Versio Italico)
	\|Is Adapted From=I (~~Versio Italica~~)		\|Has Branch Of Tradition=Seven Sages of Rome
			\|Is Adapted From=L'Amabile di Continentia (Em)
			\|Has Original Language Of Version=Italian
			\|Is Translated Into Languages=English; French; Old Spanish; Spanish
			\|Has Place Of Text Composition=Northern Italy
	\|Has Date Of Text Composition=1542		\|Has Date Of Text Composition=1542
			\|Has Source For Date Of Text Composition=Wikeley (1983)
			\|Has Text Language=Italian
	\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984)		\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984)
	\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)		\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)
	~~\|Has Note On The Frame=According to [[Wikeley (1983)]], the emperor is called Diocleziano, the prince Erasto, the stepmother Afrodisia, and the sages are named.~~

	~~The frame occupies a large amount of the text, approximately 50%.~~

	~~Contains three analogous stories: [[Zelus]], [[Corpus Delicti]], and [[Puer Adoptatus]].~~
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory

Bonsall at 18:01, 9 December 2025

2025-12-09T18:01:41Z

← Older revision		Revision as of 18:01, 9 December 2025
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	\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish, English, and Hebrew.		\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish, English, and Hebrew.

	The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition - hence their shared siglum ''E,'' differentiated by the 'm' for manuscript, and 's' for stampata (or print). As in ''L'Amabile,'' the stepmother in ''Erasto'' is named Afrodisia, while the sages are given names designed to sound Greek: Euprosigoro, Dimurgo, Terno, Enoscopo, Filando, Agato, and Leuco ([[Cesari (1896)\|Cesari,1896,]] and [[D'Ancona (1864)\|D'Ancona, 1864]]).The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story. They lose several of the expected [[I (Versio Italico)\|Version I]] embedded stories (Vidua, Puteus, Avis), usually told by the sages. In their place, these narratives add several new tales: [[Corpus Delicti]] (a faithful dog reveals his master's murder), [[Zelus]] (a husband believes slander about his innocent wife and murders her), and [[Caepulla]] (a father learns his son's fatal illness could have cured by a specific food). Additionally, unlike the 'rama italico antico' texts, in ''L'Amabile'' and ''Erasto,'' the stepmother has a seventh story again, a new narrative titled [[Puer Adoptatus]]; this brings the narrative total back to fifteen. Of these four new texts, none are found elsewhere in the ''Seven Sages'' tradition, with the exception of ''Caepulla'', which also appears in the [[Forty Viziers: Ḥikāyet-i Ḳırḳ Vezīr]]. Another distinguishing element is the fact that, rather than facing public execution, the empress kills herself in prison in at the end of the narrative.		The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition - hence their shared siglum ''E,'' differentiated by the 'm' for manuscript, and 's' for stampata (or print). As in ''L'Amabile,'' the stepmother in ''Erasto'' is named Afrodisia, while the sages are given names designed to sound Greek: Euprosigoro, Dimurgo, Terno, Enoscopo, Filando, Agato, and Leuco ([[Cesari (1896)\|Cesari,1896,]] and [[D'Ancona (1864)\|D'Ancona, 1864]]).The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story. They lose several of the expected [[I (Versio Italico)\|Version I]] embedded stories (Vidua, Puteus, Avis), usually told by the sages. In their place, these narratives add several new tales: [[Corpus Delicti]] (a faithful dog reveals his master's murder), [[Zelus]] (a husband believes slander about his innocent wife and murders her), and [[Caepulla]] (a father learns his son's fatal illness could have cured by a specific food). Additionally, unlike the 'rama italico antico' texts, in ''L'Amabile'' and ''Erasto,'' the stepmother has a seventh story again, a new narrative titled [[Puer Adoptatus]]; this brings the narrative total back to fifteen. Of these four new texts, none are found elsewhere in the ''Seven Sages'' tradition, with the exception of ''Caepulla'', which also appears in the [[Forty Viziers: Ḥikāyet-i Ḳırḳ Vezīr]]. Another distinguishing element is the fact that, rather than facing public execution, the empress kills herself in prison in at the end of the narrative.

			Unlike most of the''Versio Italico'' narratives, and indeed most ''Seven Sages'' texts, the ''Erasto'' narrative dramatically priviledges the frame story, devoting approximately fifty per cent of the textual space to the frame (Wikeley, p. 14).

	At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).		At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).

Bonsall at 17:57, 9 December 2025

2025-12-09T17:57:06Z

← Older revision		Revision as of 17:57, 9 December 2025
Line 6:		Line 6:
	At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).		At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).

	Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by Mario Teluccini in 1566.		Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by [[Mario Teluccini, Erasto. Pesaro: Girolamo Concordia, 1566.\|Mario Teluccini in 1566.]]
	\|Has Parent Version=I (Versio Italico)		\|Has Parent Version=I (Versio Italico)
	\|Is Adapted From=I (Versio Italica)		\|Is Adapted From=I (Versio Italica)

Bonsall at 17:34, 9 December 2025

2025-12-09T17:34:00Z

← Older revision		Revision as of 17:34, 9 December 2025
Line 1:		Line 1:
	{{Version		{{Version
	\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish ~~(and then back to French again)~~, English, and Hebrew.		\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish, English, and Hebrew.

	The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition - hence their shared siglum ''E,'' differentiated by the 'm' for manuscript, and 's' for stampata (or print). As in ''L'Amabile,'' the stepmother in ''Erasto'' is named Afrodisia, while the sages are given names designed to sound Greek: Euprosigoro, Dimurgo, Terno, Enoscopo, Filando, Agato, and Leuco ([[Cesari (1896)\|Cesari,1896,]] and [[D'Ancona (1864)\|D'Ancona, 1864]]).The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story. They lose several of the expected [[I (Versio Italico)\|Version I]] embedded stories (Vidua, Puteus, Avis), usually told by the sages. In their place, these narratives add several new tales: [[Corpus Delicti]] (a faithful dog reveals his master's murder), [[Zelus]] (a husband believes slander about his innocent wife and murders her), and [[Caepulla]] (a father learns his son's fatal illness could have cured by a specific food). Additionally, unlike the 'rama italico antico' texts, in ''L'Amabile'' and ''Erasto,'' the stepmother has a seventh story again, a new narrative titled [[Puer Adoptatus]]; this brings the narrative total back to fifteen. Of these four new texts, none are found elsewhere in the ''Seven Sages'' tradition, with the exception of ''Caepulla'', which also appears in the [[Forty Viziers: Ḥikāyet-i Ḳırḳ Vezīr]]. Another distinguishing element is the fact that, rather than facing public execution, the empress kills herself in prison in at the end of the narrative.		The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition - hence their shared siglum ''E,'' differentiated by the 'm' for manuscript, and 's' for stampata (or print). As in ''L'Amabile,'' the stepmother in ''Erasto'' is named Afrodisia, while the sages are given names designed to sound Greek: Euprosigoro, Dimurgo, Terno, Enoscopo, Filando, Agato, and Leuco ([[Cesari (1896)\|Cesari,1896,]] and [[D'Ancona (1864)\|D'Ancona, 1864]]).The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story. They lose several of the expected [[I (Versio Italico)\|Version I]] embedded stories (Vidua, Puteus, Avis), usually told by the sages. In their place, these narratives add several new tales: [[Corpus Delicti]] (a faithful dog reveals his master's murder), [[Zelus]] (a husband believes slander about his innocent wife and murders her), and [[Caepulla]] (a father learns his son's fatal illness could have cured by a specific food). Additionally, unlike the 'rama italico antico' texts, in ''L'Amabile'' and ''Erasto,'' the stepmother has a seventh story again, a new narrative titled [[Puer Adoptatus]]; this brings the narrative total back to fifteen. Of these four new texts, none are found elsewhere in the ''Seven Sages'' tradition, with the exception of ''Caepulla'', which also appears in the [[Forty Viziers: Ḥikāyet-i Ḳırḳ Vezīr]]. Another distinguishing element is the fact that, rather than facing public execution, the empress kills herself in prison in at the end of the narrative.

			At the time of its first publication in 1542, the Italian ''Erasto'' included a 'tavola delle cose degne di memoria' - a 'table of things worthy of memory' ([[Wikeley (1983)]], p. 11). This index suggests that, from the outset, ''Erasto'' was designed to be used as a 'reference tool, a repository of commonplaces, proverbs, and other expressions of popular (especially antifeminist) wisdom' (ibid.).

			Wikeley traces the success of the narrative through its multilingual early modern transmission, noting the early translation into French in 1564, then Pedro Hurtado de la Vera's 1573 Spanish edition. The English edition, produced by Francis Kirkman in 1674, was later followed by yet another translation into French - this time, however, from the Spanish version by Hurtado de la Vera, in 1709 (Wikeley, pp. 10-11). The Italian tradition was also dynamic - the prose ''Erasto'' was also reworked into a nine-canto poem in ''ottava rima'' by Mario Teluccini in 1566.
	\|Has Parent Version=I (Versio Italico)		\|Has Parent Version=I (Versio Italico)
	\|Is Adapted From=I (Versio Italica)		\|Is Adapted From=I (Versio Italica)
	\|Has Date Of Text Composition=1542		\|Has Date Of Text Composition=1542
	\|Has Modern Research Literature=Cappelli (1865)		\|Has Modern Research Literature=Cappelli (1865); Lalomia (2019); D'Agostino (2022); Wikeley (1983); Runte, Wikeley, Farrell (1984)
			\|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019)
	\|Has Note On The Frame=According to [[Wikeley (1983)]], the emperor is called Diocleziano, the prince Erasto, the stepmother Afrodisia, and the sages are named.		\|Has Note On The Frame=According to [[Wikeley (1983)]], the emperor is called Diocleziano, the prince Erasto, the stepmother Afrodisia, and the sages are named.

Bonsall at 17:05, 9 December 2025

2025-12-09T17:05:14Z

← Older revision		Revision as of 17:05, 9 December 2025
Line 2:		Line 2:
	\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish (and then back to French again), English, and Hebrew.		\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish (and then back to French again), English, and Hebrew.

	The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition. The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story, [[Zelus]], ~~told~~ by the ~~sage Enoscopo~~.		The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition - hence their shared siglum ''E,'' differentiated by the 'm' for manuscript, and 's' for stampata (or print). As in ''L'Amabile,'' the stepmother in ''Erasto'' is named Afrodisia, while the sages are given names designed to sound Greek: Euprosigoro, Dimurgo, Terno, Enoscopo, Filando, Agato, and Leuco ([[Cesari (1896)\|Cesari,1896,]] and [[D'Ancona (1864)\|D'Ancona, 1864]]).The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story. They lose several of the expected [[I (Versio Italico)\|Version I]] embedded stories (Vidua, Puteus, Avis), usually told by the sages. In their place, these narratives add several new tales: [[Corpus Delicti]] (a faithful dog reveals his master's murder), [[Zelus]] (a husband believes slander about his innocent wife and murders her), and [[Caepulla]] (a father learns his son's fatal illness could have cured by a specific food). Additionally, unlike the 'rama italico antico' texts, in ''L'Amabile'' and ''Erasto,'' the stepmother has a seventh story again, a new narrative titled [[Puer Adoptatus]]; this brings the narrative total back to fifteen. Of these four new texts, none are found elsewhere in the ''Seven Sages'' tradition, with the exception of ''Caepulla'', which also appears in the [[Forty Viziers: Ḥikāyet-i Ḳırḳ Vezīr]]. Another distinguishing element is the fact that, rather than facing public execution, the empress kills herself in prison in at the end of the narrative.
	\|Has Parent Version=I (Versio Italico)		\|Has Parent Version=I (Versio Italico)
	\|Is Adapted From=I (Versio Italica)		\|Is Adapted From=I (Versio Italica)

Bonsall at 16:58, 9 December 2025

2025-12-09T16:58:30Z

← Older revision		Revision as of 16:58, 9 December 2025
Line 1:		Line 1:
	{{Version		{{Version
	\|Has Description=''Erasto'', or ''~~Compassionevoli~~ avvenimenti'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish (and then back to French again), English, and Hebrew.		\|Has Description=''Erasto'', or ''I compassionevoli avvenimenti'' ''di Erasto'', was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish (and then back to French again), English, and Hebrew.

			The ''Erasto'' text derives from the fifteenth- or early-sixteeenth-century [[L'Amabile di Continentia (Em)]] manuscrupt tradition. The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version [[I (Versio Italico)]] texts, then diverging from the seventh story, [[Zelus]], told by the sage Enoscopo.
	\|Has Parent Version=I (Versio Italico)		\|Has Parent Version=I (Versio Italico)
	\|Is Adapted From=I (Versio Italica)		\|Is Adapted From=I (Versio Italica)
Line 14:		Line 16:
	\|Has Short Title=Canis		\|Has Short Title=Canis
	\|Has Sequence Number=1		\|Has Sequence Number=1
			\|Has Narrator=Euprosigoro
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Short Title=Medicus		\|Has Short Title=Medicus
	\|Has Sequence Number=3		\|Has Sequence Number=3
			\|Has Narrator=Dimurgo
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Short Title=Tentamina		\|Has Short Title=Tentamina
	\|Has Sequence Number=5		\|Has Sequence Number=5
			\|Has Narrator=Terno
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Short Title=Zelus		\|Has Short Title=Zelus
	\|Has Sequence Number=7		\|Has Sequence Number=7
			\|Has Narrator=Enoscopo
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Short Title=Inclusa		\|Has Short Title=Inclusa
	\|Has Sequence Number=9		\|Has Sequence Number=9
			\|Has Narrator=Filandro
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Short Title=Corpus Delicti		\|Has Short Title=Corpus Delicti
	\|Has Sequence Number=11		\|Has Sequence Number=11
			\|Has Narrator=Agato
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Short Title=Caepulla		\|Has Short Title=Caepulla
	\|Has Sequence Number=13		\|Has Sequence Number=13
			\|Has Narrator=Leuco
	}}		}}
	{{EmbeddedStory		{{EmbeddedStory
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	\|Has Sequence Number=15		\|Has Sequence Number=15
	\|Has Narrator=Prince		\|Has Narrator=Prince
			\|Has Name Variation=Erasto
	}}		}}

Bonsall: Bonsall moved page Erasto to Erasto (Es)

2025-12-08T15:00:36Z

Bonsall moved page Erasto to Erasto (Es)

← Older revision	Revision as of 15:00, 8 December 2025
(No difference)