Filius - Revision history

Bonsall at 14:53, 18 June 2025

2025-06-18T14:53:07Z

← Older revision		Revision as of 14:53, 18 June 2025
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	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974); Nishimura (2001)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
	\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide; Marriage; Children; Wise child; Judgement		\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide; Marriage; Children; Wise child; Judgement; Death of husband
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Bonsall at 11:24, 4 April 2025

2025-04-04T11:24:52Z

← Older revision		Revision as of 11:24, 4 April 2025
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	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974); Nishimura (2001)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
	\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide; Marriage		\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide; Marriage; Children; Wise child; Judgement
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Bonsall at 15:46, 25 March 2025

2025-03-25T15:46:07Z

← Older revision		Revision as of 15:46, 25 March 2025
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	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974); Nishimura (2001)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
	\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide		\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide; Marriage
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Noeth: Text replacement - "Has Content Tag=" to "Has Motif="

2025-03-04T19:13:08Z

Text replacement - "Has Content Tag=" to "Has Motif="

← Older revision		Revision as of 19:13, 4 March 2025
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	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974); Nishimura (2001)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
	\|Has ~~Content Tag~~=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide		\|Has Motif=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Bonsall at 14:15, 21 January 2025

2025-01-21T14:15:54Z

← Older revision		Revision as of 14:15, 21 January 2025
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	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974); Nishimura (2001)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
	\|Has Content Tag=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; ~~Parricide~~		\|Has Content Tag=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Patricide
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Bonsall at 14:12, 21 January 2025

2025-01-21T14:12:37Z

← Older revision		Revision as of 14:12, 21 January 2025
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	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974); Nishimura (2001)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
	\|Has Content Tag=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder		\|Has Content Tag=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder; Parricide
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Bonsall at 19:13, 18 December 2024

2024-12-18T19:13:31Z

← Older revision		Revision as of 19:13, 18 December 2024
Line 1:		Line 1:
	{{Inset Story		{{Inset Story
	\|Has Critical Literature=Runte (1974)		\|Has Critical Literature=Runte (1974); Nishimura (2001)
			\|Has Content Tag=Orientalised setting; Father/son relationships; Deceitful son; Adultery; Gullible husband; Murder
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

	The lord of Antioch, named Belasor, has a son. When the boy ~~is 14~~ years old, his mother dies. Belsasor is saddened, but eventually he remarries the beautiful and clever ten-year-old daughter of the Babylonian sultan. The son falls in love with her, and propositions her, suggesting that they kill his father. The young wife refuses, and the son pretends that the proposal had been a test of her faith, and asks her to swear never to speak of it. However, wracked by fear and worry, the wife eventually breaks down before her husband, and despite her protests that she will not be believed - or perhaps even doubted herself - she eventually reveals the son's plot. However, Belasor does not believe his son was serious, and takes no action - until, in the midst of an argument, he eventually accuses his son of dishonouring his wife. The son says nothing, but that night, kills Belasor in his sleep, and rules in his stead.		The lord of Antioch, named Belasor, has a son. When the boy is fourteen years old, his mother dies. Belsasor is saddened, but eventually he remarries the beautiful and clever ten-year-old daughter of the Babylonian sultan. The son falls in love with her, and propositions her, suggesting that they kill his father. The young wife refuses, and the son pretends that the proposal had been a test of her faith, and asks her to swear never to speak of it. However, wracked by fear and worry, the wife eventually breaks down before her husband, and despite her protests that she will not be believed - or perhaps even doubted herself - she eventually reveals the son's plot. However, Belasor does not believe his son was serious, and takes no action - until, in the midst of an argument, he eventually accuses his son of dishonouring his wife. The son says nothing, but that night, kills Belasor in his sleep, and rules in his stead.
	\|Has Note=This narrative offers a direct inversion of the plot of the frame story, recasting the empress as (even younger, cleverer, and) loyal, and the son as conniving. See Runte's introduction for details and analysis (1974).		\|Has Note=This narrative offers a direct inversion of the plot of the frame story, recasting the empress as (even younger, cleverer, and) loyal, and the son as conniving. See Runte's introduction for details and analysis (1974).
	}}		}}

Noeth at 18:48, 19 August 2024

2024-08-19T18:48:45Z

← Older revision		Revision as of 18:48, 19 August 2024
Line 3:		Line 3:
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

	The lord of Antioch, named Belasor, has a son. When the boy is 14 years old, his mother dies. Belsasor is saddened, but eventually he remarries the beautiful and clever ten-year-old daughter of the Babylonian sultan. The son falls in love with her, and propositions her, suggesting that they kill his father. The young wife refuses, and the son pretends that the proposal had been a test of her faith, and asks her to swear never to speak of it. However, wracked by fear and worry, the wife eventually breaks down before her husband, and despite her protests that she will not be believed - or perhaps even doubted herself - she eventually reveals the son's plot. However, Belasor does not believe his son was serious, and takes no action - until, in the midst of an argument, he eventually accuses his son of dishonouring his wife. The son says nothing, but that night, kills Belasor in his sleep, and rules in his stead.		The lord of Antioch, named Belasor, has a son. When the boy is 14 years old, his mother dies. Belsasor is saddened, but eventually he remarries the beautiful and clever ten-year-old daughter of the Babylonian sultan. The son falls in love with her, and propositions her, suggesting that they kill his father. The young wife refuses, and the son pretends that the proposal had been a test of her faith, and asks her to swear never to speak of it. However, wracked by fear and worry, the wife eventually breaks down before her husband, and despite her protests that she will not be believed - or perhaps even doubted herself - she eventually reveals the son's plot. However, Belasor does not believe his son was serious, and takes no action - until, in the midst of an argument, he eventually accuses his son of dishonouring his wife. The son says nothing, but that night, kills Belasor in his sleep, and rules in his stead.
			\|Has Note=This narrative offers a direct inversion of the plot of the frame story, recasting the empress as (even younger, cleverer, and) loyal, and the son as conniving. See Runte's introduction for details and analysis (1974).
	~~'''~~Note~~''':~~

	This narrative offers a direct inversion of the plot of the frame story, recasting the empress as (even younger, cleverer, and) loyal, and the son as conniving. See Runte's introduction for details and analysis (1974).
	}}		}}

Bonsall at 12:20, 25 June 2024

2024-06-25T12:20:24Z

← Older revision		Revision as of 12:20, 25 June 2024
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	{{Inset Story		{{Inset Story
			\|Has Critical Literature=Runte (1974)
	\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

Bonsall at 12:17, 25 June 2024

2024-06-25T12:17:23Z

← Older revision		Revision as of 12:17, 25 June 2024
Line 1:		Line 1:
	{{Inset Story		{{Inset Story
	\|Has Summary=~~<nowiki>~~'''The Son (or, '~~C'est li~~ Contes dou Mal Genre Musart') '''~~</nowiki>~~		\|Has Summary='''The Son (or, 'Li Contes dou Mal Genre Musart')'''

	The lord of Antioch, named Belasor, has a son. When the boy is 14 years old, his mother dies. Belsasor is saddened, but eventually he remarries the beautiful and clever ten-year-old daughter of the Babylonian sultan. The son falls in love with her, and propositions her, suggesting that they kill his father. The young wife refuses, and the son pretends that the proposal had been a test of her faith, and asks her to swear never to speak of it. However, wracked by fear and worry, the wife eventually breaks down before her husband, and despite her protests that she will not be believed - or perhaps even doubted herself - she eventually reveals the son's plot. However, Belasor does not believe his son was serious, and takes no action - until, in the midst of an argument, he eventually accuses his son of dishonouring his wife. The son says nothing, but that night, kills Belasor in his sleep, and rules in his stead.		The lord of Antioch, named Belasor, has a son. When the boy is 14 years old, his mother dies. Belsasor is saddened, but eventually he remarries the beautiful and clever ten-year-old daughter of the Babylonian sultan. The son falls in love with her, and propositions her, suggesting that they kill his father. The young wife refuses, and the son pretends that the proposal had been a test of her faith, and asks her to swear never to speak of it. However, wracked by fear and worry, the wife eventually breaks down before her husband, and despite her protests that she will not be believed - or perhaps even doubted herself - she eventually reveals the son's plot. However, Belasor does not believe his son was serious, and takes no action - until, in the midst of an argument, he eventually accuses his son of dishonouring his wife. The son says nothing, but that night, kills Belasor in his sleep, and rules in his stead.

	~~<nowiki>~~'''~~</nowiki>~~Note~~:<nowiki>~~'''~~</nowiki>~~		'''Note''':

	This narrative offers a direct inversion of the plot of the frame story, recasting the empress as (even younger, cleverer, and) loyal, and the son as conniving. See Runte's introduction for details and analysis (1974).		This narrative offers a direct inversion of the plot of the frame story, recasting the empress as (even younger, cleverer, and) loyal, and the son as conniving. See Runte's introduction for details and analysis (1974).
	}}		}}