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	<id>https://db.seven-sages-of-rome.org/index.php?action=history&amp;feed=atom&amp;title=Panes</id>
	<title>Panes - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://db.seven-sages-of-rome.org/index.php?action=history&amp;feed=atom&amp;title=Panes"/>
	<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;action=history"/>
	<updated>2026-04-08T06:19:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=13134&amp;oldid=prev</id>
		<title>Bonsall at 13:34, 24 November 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=13134&amp;oldid=prev"/>
		<updated>2025-11-24T13:34:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:34, 24 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[From Epstein. Added by Jane Bonsall.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=11116&amp;oldid=prev</id>
		<title>Bonsall at 15:28, 18 June 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=11116&amp;oldid=prev"/>
		<updated>2025-06-18T15:28:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:28, 18 June 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Illness; Medicine; Deception; Body fluids; Food and drink&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Illness; Medicine; Deception; Body fluids; Food and drink&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Loaves of Bread&#039;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=7290&amp;oldid=prev</id>
		<title>Noeth: Text replacement - &quot;Has Content Tag=&quot; to &quot;Has Motif=&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=7290&amp;oldid=prev"/>
		<updated>2025-03-04T19:13:08Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Has Content Tag=&amp;quot; to &amp;quot;Has Motif=&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:13, 4 March 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Content Tag&lt;/del&gt;=Illness; Medicine; Deception; Body fluids; Food and drink&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Motif&lt;/ins&gt;=Illness; Medicine; Deception; Body fluids; Food and drink&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Noeth</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=5561&amp;oldid=prev</id>
		<title>Bonsall at 17:13, 22 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=5561&amp;oldid=prev"/>
		<updated>2025-01-22T17:13:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:13, 22 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Illness; Medicine; Deception&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Food&lt;/del&gt;; Body fluids&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Illness; Medicine; Deception; Body fluids&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Food and drink&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &amp;#039;&amp;#039;Dai Chido-ron&amp;#039;&amp;#039;, 23 (&amp;#039;&amp;#039;Taishozo&amp;#039;&amp;#039; 25, 231c); Schwarzbaum, &amp;#039;&amp;#039;Jewish and World Folklore&amp;#039;&amp;#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&amp;#039;&amp;#039;Russian Ridiculous Tales&amp;#039;&amp;#039;, 22).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=5492&amp;oldid=prev</id>
		<title>Bonsall at 16:02, 20 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=5492&amp;oldid=prev"/>
		<updated>2025-01-20T16:02:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:02, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Has Content Tag=Illness; Medicine; Deception; Food; Body fluids&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Has Note=Nishimura notes relevant motifs (TMI N383.2: Man falls dead when he realized that he has eaten bread from flour used for abscess plaster) and analogues: &#039;&#039;Dai Chido-ron&#039;&#039;, 23 (&#039;&#039;Taishozo&#039;&#039; 25, 231c); Schwarzbaum, &#039;&#039;Jewish and World Folklore&#039;&#039;, 351 ‘Everything that is exuberant and inordinate is bad…’; Afanasjew’s ‘The Clever Housewife’ (&#039;&#039;Russian Ridiculous Tales&#039;&#039;, 22).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=5138&amp;oldid=prev</id>
		<title>Bonsall: Created page with &quot;{{Inset Story |Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967) |Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, an...&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Panes&amp;diff=5138&amp;oldid=prev"/>
		<updated>2024-12-11T13:54:43Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Inset Story |Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967) |Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, an...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Inset Story&lt;br /&gt;
|Has Critical Literature=Nishimura (2001); Clouston (1884); Epstein (1967)&lt;br /&gt;
|Has Summary=A merchant with a taste for fine foods sends a servant to buy bread, and is so delighted with the loaf that he brings back that he requests the same bread every day. Every day the servant buys a loaf from the same vendor woman, until one day she no longer is selling the bread. The merchant asks for the woman to be brought before him to explain her recipe. She arrives, and explains that her master was sick with a malignant ulcer, and that the doctor mixed flour with honeyed wine, spices, and sugar, and to use it as a plaster on the wound overnight. In the morning, she would take the plaster, bake it into bread and sell it. However, her master was now cured, so there was no more bread to be made. The merchant, hearing this, is nauseated and ill.&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
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