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	<title>Senes - Revision history</title>
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		<title>Bonsall at 10:15, 9 January 2026</title>
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		<updated>2026-01-09T10:15:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:15, 9 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[From &amp;#039;&amp;#039;Storia di Stefano&amp;#039;&amp;#039;. Added by Jane Bonsall.]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[From &amp;#039;&amp;#039;Storia di Stefano&amp;#039;&amp;#039;. Added by Jane Bonsall.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motif index entries, analogues, and references:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Note: In &#039;&#039;Dolopathos&#039;&#039;, the story is more streamlined, and does not include the first challenge with the net as clothing. The story also omits the pig as a false corpse and the domestic violence; instead, the son brings his wife before the court and pronounces her his enemy, whereupon she furiously denounces his law-breaking by concealing his father.   &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Nishimura notes relevant motif index entries, analogues, and references:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Motifs and Types:&amp;#039;&amp;#039;&amp;#039; TMI H971: Task performed with the help of an old person; H1065: Task: bringing best friend, worst enemy, best servant, greatest pleasure-giver; J151.1, ATU 981: Wisdom of hidden old man saves kingdom; K2213.4: Betrayal of husband’s secret by his wife; S140.1: Abandonment of the aged; ATU 921B: Best friend, worst enemy. See also ATU 875: The clever farmgirl.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Motifs and Types:&amp;#039;&amp;#039;&amp;#039; TMI H971: Task performed with the help of an old person; H1065: Task: bringing best friend, worst enemy, best servant, greatest pleasure-giver; J151.1, ATU 981: Wisdom of hidden old man saves kingdom; K2213.4: Betrayal of husband’s secret by his wife; S140.1: Abandonment of the aged; ATU 921B: Best friend, worst enemy. See also ATU 875: The clever farmgirl.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories about a task given a son who hid the old man: &#039;&#039;Scala Coeli&#039;&#039;, 283 ‘La sagesse des conseillers âgés prouvée à un jeune roi’; &#039;&#039;Yoshino Hidemasa Setsuwa Shu&#039;&#039;, 7 ‘The old man and the task’.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories about a task given a son who hid the old man: &#039;&#039;Scala Coeli&#039;&#039;, 283 ‘La sagesse des conseillers âgés prouvée à un jeune roi’; &#039;&#039;Yoshino Hidemasa Setsuwa Shu&#039;&#039;, 7 ‘The old man and the task’.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories about a country that has lost (or kills) its elders: &amp;#039;&amp;#039;Kengu-kyo&amp;#039;&amp;#039; (Wise and Foolish Sutra), 7.37; &amp;#039;&amp;#039;Zo Hozo-kyo&amp;#039;&amp;#039;, 1.4 and 2.14; &amp;#039;&amp;#039;Makura no Soshi&amp;#039;&amp;#039; [&amp;#039;&amp;#039;Pillow Book&amp;#039;&amp;#039;], 244 ‘Myojin no Ari-toshi’; &amp;#039;&amp;#039;Konjaku Monogatari-shu&amp;#039;&amp;#039;, 5.32 ‘The country that sends people who are more than seventy to other countries’; &amp;#039;&amp;#039;Folklore ordos&amp;#039;&amp;#039;, No. 56 ‘Le fils pieux’; Sasaki Kizen, &amp;#039;&amp;#039;Hear Me Storybook&amp;#039;&amp;#039;, 135; Koda Rohan, &amp;#039;&amp;#039;Indo no Kowa&amp;#039;&amp;#039;; &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, 28 ‘Type Index’, 410A ‘Ubasute Yama&amp;#039;, 823 and 824; Takeda Seicho, &amp;#039;&amp;#039;Nihon Densetsu Shu&amp;#039;&amp;#039;, pp.101-103, &amp;#039;Ubasuteyma Densetsu in Nagano‘; Pauli, &amp;#039;&amp;#039;Schimpf und Ernst&amp;#039;&amp;#039;, 442 ‘Saltz sol man mit Muleßelmilch besprengen‘. See also Ailianos, &amp;#039;&amp;#039;Varia Historia&amp;#039;&amp;#039;, 3.37 ‘Law concerning the aged of Island Keos&amp;#039;; Strabon, &amp;#039;&amp;#039;Geographica&amp;#039;&amp;#039;, 10.5.6; and Saxo Grammaticus, &amp;#039;&amp;#039;Gesta Danorum&amp;#039;&amp;#039;, 8.13. The stories that do not include the tasks but only the legend of abandoning of old people are &amp;#039;&amp;#039;Yamato Monogatari&amp;#039;&amp;#039;, 156; &amp;#039;&amp;#039;Konjaku Monogatari-shu&amp;#039;&amp;#039;, 30.9 ‘Shinano no Obasute Yama’ and Fukazawa Shichiro’s &amp;#039;&amp;#039;Narayama-bushi Ko&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories about a country that has lost (or kills) its elders: &amp;#039;&amp;#039;Kengu-kyo&amp;#039;&amp;#039; (Wise and Foolish Sutra), 7.37; &amp;#039;&amp;#039;Zo Hozo-kyo&amp;#039;&amp;#039;, 1.4 and 2.14; &amp;#039;&amp;#039;Makura no Soshi&amp;#039;&amp;#039; [&amp;#039;&amp;#039;Pillow Book&amp;#039;&amp;#039;], 244 ‘Myojin no Ari-toshi’; &amp;#039;&amp;#039;Konjaku Monogatari-shu&amp;#039;&amp;#039;, 5.32 ‘The country that sends people who are more than seventy to other countries’; &amp;#039;&amp;#039;Folklore ordos&amp;#039;&amp;#039;, No. 56 ‘Le fils pieux’; Sasaki Kizen, &amp;#039;&amp;#039;Hear Me Storybook&amp;#039;&amp;#039;, 135; Koda Rohan, &amp;#039;&amp;#039;Indo no Kowa&amp;#039;&amp;#039;; &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, 28 ‘Type Index’, 410A ‘Ubasute Yama&amp;#039;, 823 and 824; Takeda Seicho, &amp;#039;&amp;#039;Nihon Densetsu Shu&amp;#039;&amp;#039;, pp.101-103, &amp;#039;Ubasuteyma Densetsu in Nagano‘; Pauli, &amp;#039;&amp;#039;Schimpf und Ernst&amp;#039;&amp;#039;, 442 ‘Saltz sol man mit Muleßelmilch besprengen‘. See also Ailianos, &amp;#039;&amp;#039;Varia Historia&amp;#039;&amp;#039;, 3.37 ‘Law concerning the aged of Island Keos&amp;#039;; Strabon, &amp;#039;&amp;#039;Geographica&amp;#039;&amp;#039;, 10.5.6; and Saxo Grammaticus, &amp;#039;&amp;#039;Gesta Danorum&amp;#039;&amp;#039;, 8.13. The stories that do not include the tasks but only the legend of abandoning of old people are &amp;#039;&amp;#039;Yamato Monogatari&amp;#039;&amp;#039;, 156; &amp;#039;&amp;#039;Konjaku Monogatari-shu&amp;#039;&amp;#039;, 30.9 ‘Shinano no Obasute Yama’ and Fukazawa Shichiro’s &amp;#039;&amp;#039;Narayama-bushi Ko&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Versions of the narrative related to the country where Ahiqar or Aesop reportedly disappeared: Syriac version of the &#039;&#039;Story of Ahiqar the Wise;&#039;&#039; &#039;&#039;Geschichte von Heikâr dem Weisen&#039;&#039;, p. 18 and following; &#039;&#039;The Life of Aesop&#039;&#039;, 105 and following; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, p. 41; and &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 19 ‘Emperor Nethanabo’s Suspicion’.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Versions of the narrative related to the country where Ahiqar or Aesop reportedly disappeared: Syriac version of the &#039;&#039;Story of Ahiqar the Wise;&#039;&#039; &#039;&#039;Geschichte von Heikâr dem Weisen&#039;&#039;, p. 18 and following; &#039;&#039;The Life of Aesop&#039;&#039;, 105 and following; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, p. 41; and &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 19 ‘Emperor Nethanabo’s Suspicion’.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories that focus only on various issues include: &#039;&#039;Seventy Tales of a Parrot&#039;&#039;, Textus ornatior 58, Textus simplicior 48; &#039;&#039;Gesta Romanorum&#039;&#039;, 124 ‘Der kluge Ritter’; Pauli, &#039;&#039;Schimpf und Ernst&#039;&#039;, 423 ‘Einer bracht sein grösten Feind’; ‘Die kluge Bauerntochter’, KHM 94 in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;; Afanasjew, &#039;&#039;Russische Volksmärchen&#039;&#039;, 330 ‘Das königliche Findelkind’; &#039;&#039;Iki-shima Mukashibanashi-shu&#039;&#039;, 72 ‘Tales of dumping the old people’ and 73-74 ‘Another tales of dumping the old people’; ‘Difficult Tales’ in &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28, ‘Type Index’ 815-822, 825-827.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories that focus only on various issues include: &#039;&#039;Seventy Tales of a Parrot&#039;&#039;, Textus ornatior 58, Textus simplicior 48; &#039;&#039;Gesta Romanorum&#039;&#039;, 124 ‘Der kluge Ritter’; Pauli, &#039;&#039;Schimpf und Ernst&#039;&#039;, 423 ‘Einer bracht sein grösten Feind’; ‘Die kluge Bauerntochter’, KHM 94 in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;; Afanasjew, &#039;&#039;Russische Volksmärchen&#039;&#039;, 330 ‘Das königliche Findelkind’; &#039;&#039;Iki-shima Mukashibanashi-shu&#039;&#039;, 72 ‘Tales of dumping the old people’ and 73-74 ‘Another tales of dumping the old people’; ‘Difficult Tales’ in &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28, ‘Type Index’ 815-822, 825-827.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Additional Bibliography:&amp;#039;&amp;#039;&amp;#039; Chauvin VIII 244. Tanaka Otoya, &amp;#039;&amp;#039;Drunken Flower Collection&amp;#039;&amp;#039;, pp. 108-112. Nakatsukasa Tetsuo, &amp;#039;&amp;#039;The World of Aesop’s Fables&amp;#039;&amp;#039;, pp. 74-77. &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, ‘Kenkyu-hen 2’, 410A, 815-827.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Additional Bibliography:&amp;#039;&amp;#039;&amp;#039; Chauvin VIII 244. Tanaka Otoya, &amp;#039;&amp;#039;Drunken Flower Collection&amp;#039;&amp;#039;, pp. 108-112. Nakatsukasa Tetsuo, &amp;#039;&amp;#039;The World of Aesop’s Fables&amp;#039;&amp;#039;, pp. 74-77. &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, ‘Kenkyu-hen 2’, 410A, 815-827.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=14119&amp;oldid=prev</id>
		<title>Bonsall at 09:40, 9 January 2026</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=14119&amp;oldid=prev"/>
		<updated>2026-01-09T09:40:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:40, 9 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[From &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gilleland&lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;s &lt;/del&gt;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Dolopathos&lt;/del&gt;&#039;&#039;. Added by Jane Bonsall.]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[From &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Storia di Stefano&lt;/ins&gt;&#039;&#039;. Added by Jane Bonsall.]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motif index entries, analogues, and references:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motif index entries, analogues, and references:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=13163&amp;oldid=prev</id>
		<title>Bonsall at 15:25, 26 November 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=13163&amp;oldid=prev"/>
		<updated>2025-11-26T15:25:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:25, 26 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a kingdom (Rome) in which anyone who reaches the age of seventy is killed, a young man hides his aging father in his basement, and tells everyone that he has died. His old father passes on his wisdom to his son in secret, and guided by his advice, the young man soon becomes a known as a judicious, thoughtful man and a respected public official. However, his enemies conspire against him, and believing these detractors, the emperor sets him a series of impossible tests. First, he must appear before the court neither naked nor clothed; on his father&amp;#039;s advice, the young man dresses himself in a net, and thus meets the requirements. Next, the emperor asks the young man to appear before the court with his worst enemy, and with his best friend. The man asks for a month&amp;#039;s grace, and demands that if he should fulfill this requirement, the emperor will end the senecidal law; the emperor agrees. Following his father&amp;#039;s advice again, the young man kills a pig, puts it in a sack, and tells his wife that he has killed a man; together they bury the body in the garden. Shortly thereafter, on some slight pretense, he argues with his wife and beats her. She immediately turns him in for murder, and the man is arrested. From jail, he explains that this was a trick, the body is exhumed, and he is released. On the appointed day, the young man visits the emperor accompanied by his dog and his wife, and explains that the dog is his best friend - even after being beaten, if returns when he calls it. His wife, on the other hand, is his worst enemy, who turns on him at the slightest provocation, he says. The young man then reveals that he did all this on the advice of his aged father - and the emperor agrees to abolish the senescidal law.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a kingdom (Rome) in which anyone who reaches the age of seventy is killed, a young man hides his aging father in his basement, and tells everyone that he has died. His old father passes on his wisdom to his son in secret, and guided by his advice, the young man soon becomes a known as a judicious, thoughtful man and a respected public official. However, his enemies conspire against him, and believing these detractors, the emperor sets him a series of impossible tests. First, he must appear before the court neither naked nor clothed; on his father&amp;#039;s advice, the young man dresses himself in a net, and thus meets the requirements. Next, the emperor asks the young man to appear before the court with his worst enemy, and with his best friend. The man asks for a month&amp;#039;s grace, and demands that if he should fulfill this requirement, the emperor will end the senecidal law; the emperor agrees. Following his father&amp;#039;s advice again, the young man kills a pig, puts it in a sack, and tells his wife that he has killed a man; together they bury the body in the garden. Shortly thereafter, on some slight pretense, he argues with his wife and beats her. She immediately turns him in for murder, and the man is arrested. From jail, he explains that this was a trick, the body is exhumed, and he is released. On the appointed day, the young man visits the emperor accompanied by his dog and his wife, and explains that the dog is his best friend - even after being beaten, if returns when he calls it. His wife, on the other hand, is his worst enemy, who turns on him at the slightest provocation, he says. The young man then reveals that he did all this on the advice of his aged father - and the emperor agrees to abolish the senescidal law.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[From Gilleland&#039;s &#039;&#039;Dolopathos&#039;&#039;. Added by Jane Bonsall.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motif index entries, analogues, and references:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes relevant motif index entries, analogues, and references:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=11016&amp;oldid=prev</id>
		<title>Bonsall at 14:04, 18 June 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=11016&amp;oldid=prev"/>
		<updated>2025-06-18T14:04:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:04, 18 June 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment; Murder; Patricide; Court of law; Judgement&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment; Murder; Patricide; Court of law; Judgement&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Death&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=9439&amp;oldid=prev</id>
		<title>Bonsall at 11:28, 4 April 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=9439&amp;oldid=prev"/>
		<updated>2025-04-04T11:28:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:28, 4 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment; Murder; Patricide&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment; Murder; Patricide&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Court of law; Judgement&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=7313&amp;oldid=prev</id>
		<title>Noeth: Text replacement - &quot;Has Content Tag=&quot; to &quot;Has Motif=&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=7313&amp;oldid=prev"/>
		<updated>2025-03-04T19:13:11Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Has Content Tag=&amp;quot; to &amp;quot;Has Motif=&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:13, 4 March 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Content Tag&lt;/del&gt;=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment; Murder; Patricide&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Motif&lt;/ins&gt;=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment; Murder; Patricide&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Noeth</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=6066&amp;oldid=prev</id>
		<title>Bonsall at 15:35, 31 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=6066&amp;oldid=prev"/>
		<updated>2025-01-31T15:35:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:35, 31 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907); Gilleland (1981)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Murder; Patricide&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=5505&amp;oldid=prev</id>
		<title>Bonsall at 18:13, 20 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=5505&amp;oldid=prev"/>
		<updated>2025-01-20T18:13:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:13, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;); Gilleland (1981&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=5504&amp;oldid=prev</id>
		<title>Bonsall at 18:13, 20 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=5504&amp;oldid=prev"/>
		<updated>2025-01-20T18:13:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:13, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Has Critical Literature=Nishimura (2001); Clouston (1884); Perry (1959); Campbell (1907)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Has Content Tag=Age versus youth; Dog; Deception; Familial relationships; Familial duty; Father/son relationships; Beating; Impossible conditions; Imprisonment; Disposal of corpse; Revenge; Violent punishment&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a kingdom (Rome) in which anyone who reaches the age of seventy is killed, a young man hides his aging father in his basement, and tells everyone that he has died. His old father passes on his wisdom to his son in secret, and guided by his advice, the young man soon becomes a known as a judicious, thoughtful man and a respected public official. However, his enemies conspire against him, and believing these detractors, the emperor sets him a series of impossible tests. First, he must appear before the court neither naked nor clothed; on his father&amp;#039;s advice, the young man dresses himself in a net, and thus meets the requirements. Next, the emperor asks the young man to appear before the court with his worst enemy, and with his best friend. The man asks for a month&amp;#039;s grace, and demands that if he should fulfill this requirement, the emperor will end the senecidal law; the emperor agrees. Following his father&amp;#039;s advice again, the young man kills a pig, puts it in a sack, and tells his wife that he has killed a man; together they bury the body in the garden. Shortly thereafter, on some slight pretense, he argues with his wife and beats her. She immediately turns him in for murder, and the man is arrested. From jail, he explains that this was a trick, the body is exhumed, and he is released. On the appointed day, the young man visits the emperor accompanied by his dog and his wife, and explains that the dog is his best friend - even after being beaten, if returns when he calls it. His wife, on the other hand, is his worst enemy, who turns on him at the slightest provocation, he says. The young man then reveals that he did all this on the advice of his aged father - and the emperor agrees to abolish the senescidal law.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a kingdom (Rome) in which anyone who reaches the age of seventy is killed, a young man hides his aging father in his basement, and tells everyone that he has died. His old father passes on his wisdom to his son in secret, and guided by his advice, the young man soon becomes a known as a judicious, thoughtful man and a respected public official. However, his enemies conspire against him, and believing these detractors, the emperor sets him a series of impossible tests. First, he must appear before the court neither naked nor clothed; on his father&amp;#039;s advice, the young man dresses himself in a net, and thus meets the requirements. Next, the emperor asks the young man to appear before the court with his worst enemy, and with his best friend. The man asks for a month&amp;#039;s grace, and demands that if he should fulfill this requirement, the emperor will end the senecidal law; the emperor agrees. Following his father&amp;#039;s advice again, the young man kills a pig, puts it in a sack, and tells his wife that he has killed a man; together they bury the body in the garden. Shortly thereafter, on some slight pretense, he argues with his wife and beats her. She immediately turns him in for murder, and the man is arrested. From jail, he explains that this was a trick, the body is exhumed, and he is released. On the appointed day, the young man visits the emperor accompanied by his dog and his wife, and explains that the dog is his best friend - even after being beaten, if returns when he calls it. His wife, on the other hand, is his worst enemy, who turns on him at the slightest provocation, he says. The young man then reveals that he did all this on the advice of his aged father - and the emperor agrees to abolish the senescidal law.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Has Note=Nishimura notes relevant motif index entries, analogues, and references: &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Motifs and Types:&#039;&#039;&#039; TMI H971: Task performed with the help of an old person; H1065: Task: bringing best friend, worst enemy, best servant, greatest pleasure-giver; J151.1, ATU 981: Wisdom of hidden old man saves kingdom; K2213.4: Betrayal of husband’s secret by his wife; S140.1: Abandonment of the aged; ATU 921B: Best friend, worst enemy. See also ATU 875: The clever farmgirl.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Analogues:&#039;&#039;&#039; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Stories about a task given a son who hid the old man: &#039;&#039;Scala Coeli&#039;&#039;, 283 ‘La sagesse des conseillers âgés prouvée à un jeune roi’; &#039;&#039;Yoshino Hidemasa Setsuwa Shu&#039;&#039;, 7 ‘The old man and the task’. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Stories about a country that has lost (or kills) its elders: &#039;&#039;Kengu-kyo&#039;&#039; (Wise and Foolish Sutra), 7.37; &#039;&#039;Zo Hozo-kyo&#039;&#039;, 1.4 and 2.14; &#039;&#039;Makura no Soshi&#039;&#039; [&#039;&#039;Pillow Book&#039;&#039;], 244 ‘Myojin no Ari-toshi’; &#039;&#039;Konjaku Monogatari-shu&#039;&#039;, 5.32 ‘The country that sends people who are more than seventy to other countries’; &#039;&#039;Folklore ordos&#039;&#039;, No. 56 ‘Le fils pieux’; Sasaki Kizen, &#039;&#039;Hear Me Storybook&#039;&#039;, 135; Koda Rohan, &#039;&#039;Indo no Kowa&#039;&#039;; &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28 ‘Type Index’, 410A ‘Ubasute Yama&#039;, 823 and 824; Takeda Seicho, &#039;&#039;Nihon Densetsu Shu&#039;&#039;, pp.101-103, &#039;Ubasuteyma Densetsu in Nagano‘; Pauli, &#039;&#039;Schimpf und Ernst&#039;&#039;, 442 ‘Saltz sol man mit Muleßelmilch besprengen‘. See also Ailianos, &#039;&#039;Varia Historia&#039;&#039;, 3.37 ‘Law concerning the aged of Island Keos&#039;; Strabon, &#039;&#039;Geographica&#039;&#039;, 10.5.6; and Saxo Grammaticus, &#039;&#039;Gesta Danorum&#039;&#039;, 8.13. The stories that do not include the tasks but only the legend of abandoning of old people are &#039;&#039;Yamato Monogatari&#039;&#039;, 156; &#039;&#039;Konjaku Monogatari-shu&#039;&#039;, 30.9 ‘Shinano no Obasute Yama’ and Fukazawa Shichiro’s &#039;&#039;Narayama-bushi Ko&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Versions of the narrative related to the country where Ahiqar or Aesop reportedly disappeared: Syriac version of the &#039;&#039;Story of Ahiqar the Wise;&#039;&#039; &#039;&#039;Geschichte von Heikâr dem Weisen&#039;&#039;, p. 18 and following; &#039;&#039;The Life of Aesop&#039;&#039;, 105 and following; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, p. 41; and &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 19 ‘Emperor Nethanabo’s Suspicion’. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Stories that focus only on various issues include: &#039;&#039;Seventy Tales of a Parrot&#039;&#039;, Textus ornatior 58, Textus simplicior 48; &#039;&#039;Gesta Romanorum&#039;&#039;, 124 ‘Der kluge Ritter’; Pauli, &#039;&#039;Schimpf und Ernst&#039;&#039;, 423 ‘Einer bracht sein grösten Feind’; ‘Die kluge Bauerntochter’, KHM 94 in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;; Afanasjew, &#039;&#039;Russische Volksmärchen&#039;&#039;, 330 ‘Das königliche Findelkind’; &#039;&#039;Iki-shima Mukashibanashi-shu&#039;&#039;, 72 ‘Tales of dumping the old people’ and 73-74 ‘Another tales of dumping the old people’; ‘Difficult Tales’ in &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28, ‘Type Index’ 815-822, 825-827. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Additional Bibliography:&#039;&#039;&#039; Chauvin VIII 244. Tanaka Otoya, &#039;&#039;Drunken Flower Collection&#039;&#039;, pp. 108-112. Nakatsukasa Tetsuo, &#039;&#039;The World of Aesop’s Fables&#039;&#039;, pp. 74-77. &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, ‘Kenkyu-hen 2’, 410A, 815-827.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=5158&amp;oldid=prev</id>
		<title>Bonsall at 09:57, 12 December 2024</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senes&amp;diff=5158&amp;oldid=prev"/>
		<updated>2024-12-12T09:57:07Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:57, 12 December 2024&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a kingdom (Rome) in which anyone who reaches the age of seventy is killed, a young man hides his aging father in his basement, and tells everyone that he has died. His old father passes on his wisdom to his son in secret, and guided by his advice, the young man soon becomes a known as a judicious, thoughtful man and a respected public official. However, his enemies conspire against him, and believing these detractors, the emperor sets him a series of impossible tests. First, he must appear before the court neither naked nor clothed; on his father&#039;s advice, the young man dresses himself in a net, and thus meets the requirements. Next, the emperor asks the young man to appear before the court with his worst enemy, and with his best friend. The man asks for a month&#039;s grace, and demands that if he should fulfill this requirement, the emperor will end the senecidal law; the emperor agrees. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; [Incomplete]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a kingdom (Rome) in which anyone who reaches the age of seventy is killed, a young man hides his aging father in his basement, and tells everyone that he has died. His old father passes on his wisdom to his son in secret, and guided by his advice, the young man soon becomes a known as a judicious, thoughtful man and a respected public official. However, his enemies conspire against him, and believing these detractors, the emperor sets him a series of impossible tests. First, he must appear before the court neither naked nor clothed; on his father&#039;s advice, the young man dresses himself in a net, and thus meets the requirements. Next, the emperor asks the young man to appear before the court with his worst enemy, and with his best friend. The man asks for a month&#039;s grace, and demands that if he should fulfill this requirement, the emperor will end the senecidal law; the emperor agrees. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Following his father&#039;s advice again, the young man kills a pig, puts it in a sack, and tells his wife that he has killed a man; together they bury the body in the garden. Shortly thereafter, on some slight pretense, he argues with his wife and beats her. She immediately turns him in for murder, and the man is arrested. From jail, he explains that this was a trick, the body is exhumed, and he is released. On the appointed day, the young man visits the emperor accompanied by his dog and his wife, and explains that the dog is his best friend - even after being beaten, if returns when he calls it. His wife, on the other hand, is his worst enemy, who turns on him at the slightest provocation, he says. The young man then reveals that he did all this on the advice of his aged father - and the emperor agrees to abolish the senescidal law.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
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