<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://db.seven-sages-of-rome.org/index.php?action=history&amp;feed=atom&amp;title=Senex_Caecus</id>
	<title>Senex Caecus - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://db.seven-sages-of-rome.org/index.php?action=history&amp;feed=atom&amp;title=Senex_Caecus"/>
	<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;action=history"/>
	<updated>2026-04-28T17:45:03Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=15099&amp;oldid=prev</id>
		<title>Janssen at 17:04, 20 February 2026</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=15099&amp;oldid=prev"/>
		<updated>2026-02-20T17:04:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:04, 20 February 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man; or, The Merchant and the Rogues&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man; or, The Merchant and the Rogues&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A young man inherits a great fortune, and sails away to distant lands to trade, where he is tricked by three rogues. The first rogue convinces him that the precious sandalwood (or aloe wood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story about tricking the dupe into believing his sandalwood was worthless. The old man says his promise to fill the young man&#039;s cart with anything he desires in exchange for the wood was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says that he WILL drink all the water in the sea, but not a drop more, and insists that the rogue must dam up all the rivers that flow into the sea before he begins drinking? The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seond &lt;/del&gt;rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, &#039;Take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal&#039;? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A young man inherits a great fortune, and sails away to distant lands to trade, where he is tricked by three rogues. The first rogue convinces him that the precious sandalwood (or aloe wood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story about tricking the dupe into believing his sandalwood was worthless. The old man says his promise to fill the young man&#039;s cart with anything he desires in exchange for the wood was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says that he WILL drink all the water in the sea, but not a drop more, and insists that the rogue must dam up all the rivers that flow into the sea before he begins drinking? The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;second &lt;/ins&gt;rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, &#039;Take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal&#039;? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Janssen</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=13169&amp;oldid=prev</id>
		<title>Bonsall at 09:51, 27 November 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=13169&amp;oldid=prev"/>
		<updated>2025-11-27T09:51:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:51, 27 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man; or, The Merchant and the Rogues&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man; or, The Merchant and the Rogues&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A young man inherits a great fortune, and sails away to distant lands to trade, where he is tricked by three rogues. The first rogue convinces him that the precious sandalwood (or aloe wood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story about tricking the dupe into believing his sandalwood was worthless. The old man says his promise to fill the young man&#039;s cart with anything he desires in exchange for the wood was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says that he WILL drink all the water in the sea, but not a drop more, and insists that the rogue must dam up all the rivers that flow into the sea before he begins drinking&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, &#039;Take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal&#039;? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A young man inherits a great fortune, and sails away to distant lands to trade, where he is tricked by three rogues. The first rogue convinces him that the precious sandalwood (or aloe wood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story about tricking the dupe into believing his sandalwood was worthless. The old man says his promise to fill the young man&#039;s cart with anything he desires in exchange for the wood was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says that he WILL drink all the water in the sea, but not a drop more, and insists that the rogue must dam up all the rivers that flow into the sea before he begins drinking&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;? &lt;/ins&gt;The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, &#039;Take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal&#039;? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=13168&amp;oldid=prev</id>
		<title>Bonsall at 17:15, 26 November 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=13168&amp;oldid=prev"/>
		<updated>2025-11-26T17:15:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:15, 26 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884); Bolens (2008)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884); Bolens (2008)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness; Overheard secret&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness; Overheard secret&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Debt&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man; or, The Merchant and the Rogues&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man; or, The Merchant and the Rogues&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A young man inherits a great fortune, and sails away to distant lands to trade, where he is tricked by three rogues. The first rogue convinces him that the precious aloe wood &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(or sandalwood&lt;/del&gt;) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and then I&#039;ll drink it&lt;/del&gt;. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;take &lt;/del&gt;out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A young man inherits a great fortune, and sails away to distant lands to trade, where he is tricked by three rogues. The first rogue convinces him that the precious &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sandalwood (or &lt;/ins&gt;aloe wood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;about tricking the dupe into believing his sandalwood was worthless&lt;/ins&gt;. The old man says his promise &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to fill the young man&#039;s cart with anything he desires in exchange for the wood &lt;/ins&gt;was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that he WILL drink all the water in the sea, but not a drop more&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and insists that the rogue must &lt;/ins&gt;dam up all the rivers that flow into the sea &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;before he begins drinking&lt;/ins&gt;. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;Take &lt;/ins&gt;out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/ins&gt;? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[From Epstein; added by Jane Bonsall.]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura offers an extensive list of analoguous stories with impossible conditions in response to trickery, as well as relevant motifs and reference narratives:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura offers an extensive list of analoguous stories with impossible conditions in response to trickery, as well as relevant motifs and reference narratives:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Motifs:&#039;&#039;&#039; TMI F655: Extraordinary perception of blind men; H919.4: Impossible task assigned by plaintiff as proof. H1129.10.1 Impossible task: assembling a huge quantity of many-colored fleas; H1142.3 Task: drinking the sea dry: countertask: stop all the rivers; N411.5: Sandalwood merchant sells his product at high price in land lacking sandalwood; N455.2.1: Robber’s secret overheard and later used in court against them; ATU978 The Youth in the Land of the Cheaters.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Motifs:&#039;&#039;&#039; TMI F655: Extraordinary perception of blind men; H919.4: Impossible task assigned by plaintiff as proof. H1129.10.1&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: &lt;/ins&gt;Impossible task: assembling a huge quantity of many-colored fleas; H1142.3&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: &lt;/ins&gt;Task: drinking the sea dry: countertask: stop all the rivers; N411.5: Sandalwood merchant sells his product at high price in land lacking sandalwood; N455.2.1: Robber’s secret overheard and later used in court against them; ATU978&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: &lt;/ins&gt;The Youth in the Land of the Cheaters.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Reference stories, etc.:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Reference stories, etc.:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jacques de Vitry, &#039;&#039;Exempla&#039;&#039;, 208 ‘When Jacques de Vitry was at Paris…’&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jacques de Vitry, &#039;&#039;Exempla&#039;&#039;, 208 ‘When Jacques de Vitry was at Paris…’&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Stories of the drinking the sea dry are is related in: Plutarchos, &#039;&#039;Feast of the Seven Wise Men&#039;&#039;, 150F-151E; &#039;&#039;The Life of Aesop&#039;&#039;, 69-73; Steinhöwel, &#039;&#039;Äsop&#039;&#039;, ‘Life of Aesop’, 15; Caxton, &#039;&#039;Fables of Aesop&#039;&#039;, pp. 244-246; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, pp. 25-26; &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 7 ‘Of the Covenant of Shanto to drink the Sea dry’; Schwarzbaum, &#039;&#039;Jewish and World Folklore&#039;&#039;, 273 ‘The Wager’; stories ‘How much water is in the sea?’ and ‘Dam the river’: &#039;&#039;Pfaffe Amis&#039;&#039;, 1; &#039;&#039;Till Eulenspiegel&#039;&#039;, 28 ‘Wie Ulenspiegel zu Brag in Behemen…’; &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 152 ‘Das Hirtenbüblein’ and KHM 134 ‘Die sechs Diener’; &#039;&#039;Folklore ordos&#039;&#039;, No. 24, ‘Esergei et Mesergei’.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories of the drinking the sea dry are is related in: Plutarchos, &#039;&#039;Feast of the Seven Wise Men&#039;&#039;, 150F-151E; &#039;&#039;The Life of Aesop&#039;&#039;, 69-73; Steinhöwel, &#039;&#039;Äsop&#039;&#039;, ‘Life of Aesop’, 15; Caxton, &#039;&#039;Fables of Aesop&#039;&#039;, pp. 244-246; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, pp. 25-26; &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 7 ‘Of the Covenant of Shanto to drink the Sea dry’; Schwarzbaum, &#039;&#039;Jewish and World Folklore&#039;&#039;, 273 ‘The Wager’; stories ‘How much water is in the sea?’ and ‘Dam the river’: &#039;&#039;Pfaffe Amis&#039;&#039;, 1; &#039;&#039;Till Eulenspiegel&#039;&#039;, 28 ‘Wie Ulenspiegel zu Brag in Behemen…’; &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 152 ‘Das Hirtenbüblein’ and KHM 134 ‘Die sechs Diener’; &#039;&#039;Folklore ordos&#039;&#039;, No. 24, ‘Esergei et Mesergei’.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Stories in which a man escapes from difficulty by eavesdropping (on the answer to a riddle): ‘The Devil and the Devil’s Granny’ in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 125 ‘Der Teufel und seine Großmutter’; &#039;&#039;Golden Legend&#039;&#039;, 129 ‘Praise of the Holy Cross’, pp. 411-414.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories in which a man escapes from difficulty by eavesdropping (on the answer to a riddle): ‘The Devil and the Devil’s Granny’ in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 125 ‘Der Teufel und seine Großmutter’; &#039;&#039;Golden Legend&#039;&#039;, 129 ‘Praise of the Holy Cross’, pp. 411-414.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Motifs similar to fleas: &#039;&#039;Mahabharata&#039;&#039;, 3.115.12 and 5.104.26; &#039;&#039;The Book of Dede Korkut&#039;&#039;, 3 ‘Bamus Beiraki, the Son of Bai Byure’.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Motifs similar to fleas: &#039;&#039;Mahabharata&#039;&#039;, 3.115.12 and 5.104.26; &#039;&#039;The Book of Dede Korkut&#039;&#039;, 3 ‘Bamus Beiraki, the Son of Bai Byure’.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Similar treatment of riddling is found in: &#039;&#039;Akbar and Birbal Vinod&#039;&#039; (From &#039;&#039;Humorous Tales from India&#039;&#039;, pp. 167-168); &#039;&#039;Kathasaritsagara&#039;&#039;, chapter 74, 163F: &#039;Akshakshapaṇaka and the Wooden Doll’ and ch. 124, 171G: &#039;Muladeva and the Brahmin’s Daughter’; &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28 ‘Type Index’ 807-814 (&#039;difficult question and answer’ stories; 807 ‘Difficult question and answer -- which is the sounding hand’ is also in Rumi’s &#039;&#039;Mathanavi&#039;&#039;, 3.1380-1385).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Similar treatment of riddling is found in: &#039;&#039;Akbar and Birbal Vinod&#039;&#039; (From &#039;&#039;Humorous Tales from India&#039;&#039;, pp. 167-168); &#039;&#039;Kathasaritsagara&#039;&#039;, chapter 74, 163F: &#039;Akshakshapaṇaka and the Wooden Doll’ and ch. 124, 171G: &#039;Muladeva and the Brahmin’s Daughter’; &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28 ‘Type Index’ 807-814 (&#039;difficult question and answer’ stories; 807 ‘Difficult question and answer -- which is the sounding hand’ is also in Rumi’s &#039;&#039;Mathanavi&#039;&#039;, 3.1380-1385).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Additional Bibliography:&amp;#039;&amp;#039;&amp;#039; Chauvin VIII 26; Landau 23; &amp;#039;&amp;#039;A World Tour of Laughter&amp;#039;&amp;#039;, ‘How Much Water is in the Ocean? -- Cough up the river’. &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, ‘Kenkyu-hen 2’, 807-814; Marzolph, 32.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Additional Bibliography:&amp;#039;&amp;#039;&amp;#039; Chauvin VIII 26; Landau 23; &amp;#039;&amp;#039;A World Tour of Laughter&amp;#039;&amp;#039;, ‘How Much Water is in the Ocean? -- Cough up the river’. &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, ‘Kenkyu-hen 2’, 807-814; Marzolph, 32.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=11180&amp;oldid=prev</id>
		<title>Bonsall at 10:50, 25 June 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=11180&amp;oldid=prev"/>
		<updated>2025-06-25T10:50:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:50, 25 June 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;); Bolens (2008&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness; Overheard secret&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness; Overheard secret&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&#039;&#039;&#039;The Blind Old Man&#039;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&#039;&#039;&#039;The Blind Old Man&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; or, The Merchant and the Rogues&lt;/ins&gt;&#039;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;foolish youth &lt;/del&gt;inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the precious aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;young man &lt;/ins&gt;inherits a great fortune, and sails away to distant lands &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to trade&lt;/ins&gt;, where he is tricked by three rogues. The first rogue convinces him that the precious aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura offers an extensive list of analoguous stories with impossible conditions in response to trickery, as well as relevant motifs and reference narratives:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura offers an extensive list of analoguous stories with impossible conditions in response to trickery, as well as relevant motifs and reference narratives:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Motifs:&#039;&#039;&#039; TMI F655: Extraordinary perception of blind men; H919.4: Impossible task assigned by plaintiff as proof. H1129.10.1 Impossible task: assembling a huge quantity of many-colored fleas; H1142.3 Task: drinking the sea dry: countertask: stop all the rivers; N411.5 :Sandalwood merchant sells his product at high price in land lacking sandalwood; N455.2.1: Robber’s secret overheard and later used in court against them; ATU978 The Youth in the Land of the Cheaters.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Motifs:&#039;&#039;&#039; TMI F655: Extraordinary perception of blind men; H919.4: Impossible task assigned by plaintiff as proof. H1129.10.1 Impossible task: assembling a huge quantity of many-colored fleas; H1142.3 Task: drinking the sea dry: countertask: stop all the rivers; N411.5: Sandalwood merchant sells his product at high price in land lacking sandalwood; N455.2.1: Robber’s secret overheard and later used in court against them; ATU978 The Youth in the Land of the Cheaters.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Reference stories, etc.:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Reference stories, etc.:&amp;#039;&amp;#039;&amp;#039;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jacques de Vitry, &#039;&#039;Exempla&#039;&#039;, 208 ‘When Jacques de Vitry was at Paris…’  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jacques de Vitry, &#039;&#039;Exempla&#039;&#039;, 208 ‘When Jacques de Vitry was at Paris…’&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories of the drinking the sea dry are is related in: Plutarchos, &#039;&#039;Feast of the Seven Wise Men&#039;&#039;, 150F-151E; &#039;&#039;The Life of Aesop&#039;&#039;, 69-73; Steinhöwel, &#039;&#039;Äsop&#039;&#039;, ‘Life of Aesop’, 15; Caxton, &#039;&#039;Fables of Aesop&#039;&#039;, pp. 244-246; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, pp. 25-26; &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 7 ‘Of the Covenant of Shanto to drink the Sea dry’; Schwarzbaum, &#039;&#039;Jewish and World Folklore&#039;&#039;, 273 ‘The Wager’; stories ‘How much water is in the sea?’ and ‘Dam the river’: &#039;&#039;Pfaffe Amis&#039;&#039;, 1; &#039;&#039;Till Eulenspiegel&#039;&#039;, 28 ‘Wie Ulenspiegel zu Brag in Behemen…’; &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 152 ‘Das Hirtenbüblein’ and KHM 134 ‘Die sechs Diener’; &#039;&#039;Folklore ordos&#039;&#039;, No. 24, ‘Esergei et Mesergei’.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Stories of the drinking the sea dry are is related in: Plutarchos, &#039;&#039;Feast of the Seven Wise Men&#039;&#039;, 150F-151E; &#039;&#039;The Life of Aesop&#039;&#039;, 69-73; Steinhöwel, &#039;&#039;Äsop&#039;&#039;, ‘Life of Aesop’, 15; Caxton, &#039;&#039;Fables of Aesop&#039;&#039;, pp. 244-246; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, pp. 25-26; &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 7 ‘Of the Covenant of Shanto to drink the Sea dry’; Schwarzbaum, &#039;&#039;Jewish and World Folklore&#039;&#039;, 273 ‘The Wager’; stories ‘How much water is in the sea?’ and ‘Dam the river’: &#039;&#039;Pfaffe Amis&#039;&#039;, 1; &#039;&#039;Till Eulenspiegel&#039;&#039;, 28 ‘Wie Ulenspiegel zu Brag in Behemen…’; &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 152 ‘Das Hirtenbüblein’ and KHM 134 ‘Die sechs Diener’; &#039;&#039;Folklore ordos&#039;&#039;, No. 24, ‘Esergei et Mesergei’.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stories in which a man escapes from difficulty by eavesdropping (on the answer to a riddle): ‘The Devil and the Devil’s Granny’ in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 125 ‘Der Teufel und seine Großmutter’; &#039;&#039;Golden Legend&#039;&#039;, 129 ‘Praise of the Holy Cross’, pp. 411-414.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Stories in which a man escapes from difficulty by eavesdropping (on the answer to a riddle): ‘The Devil and the Devil’s Granny’ in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 125 ‘Der Teufel und seine Großmutter’; &#039;&#039;Golden Legend&#039;&#039;, 129 ‘Praise of the Holy Cross’, pp. 411-414.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Motifs similar to fleas: &#039;&#039;Mahabharata&#039;&#039;, 3.115.12 and 5.104.26; &#039;&#039;The Book of Dede Korkut&#039;&#039;, 3 ‘Bamus Beiraki, the Son of Bai Byure’.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Motifs similar to fleas: &#039;&#039;Mahabharata&#039;&#039;, 3.115.12 and 5.104.26; &#039;&#039;The Book of Dede Korkut&#039;&#039;, 3 ‘Bamus Beiraki, the Son of Bai Byure’.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Similar treatment of riddling is found in: &#039;&#039;Akbar and Birbal Vinod&#039;&#039; (From &#039;&#039;Humorous Tales from India&#039;&#039;, pp. 167-168); &#039;&#039;Kathasaritsagara&#039;&#039;, chapter 74, 163F: &#039;Akshakshapaṇaka and the Wooden Doll’ and ch. 124, 171G: &#039;Muladeva and the Brahmin’s Daughter’; &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28 ‘Type Index’ 807-814 (&#039;difficult question and answer’ stories; 807 ‘Difficult question and answer -- which is the sounding hand’ is also in Rumi’s &#039;&#039;Mathanavi&#039;&#039;, 3.1380-1385).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Similar treatment of riddling is found in: &#039;&#039;Akbar and Birbal Vinod&#039;&#039; (From &#039;&#039;Humorous Tales from India&#039;&#039;, pp. 167-168); &#039;&#039;Kathasaritsagara&#039;&#039;, chapter 74, 163F: &#039;Akshakshapaṇaka and the Wooden Doll’ and ch. 124, 171G: &#039;Muladeva and the Brahmin’s Daughter’; &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28 ‘Type Index’ 807-814 (&#039;difficult question and answer’ stories; 807 ‘Difficult question and answer -- which is the sounding hand’ is also in Rumi’s &#039;&#039;Mathanavi&#039;&#039;, 3.1380-1385).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Additional Bibliography:&amp;#039;&amp;#039;&amp;#039; Chauvin VIII 26; Landau 23; &amp;#039;&amp;#039;A World Tour of Laughter&amp;#039;&amp;#039;, ‘How Much Water is in the Ocean? -- Cough up the river’. &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, ‘Kenkyu-hen 2’, 807-814; Marzolph, 32.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Additional Bibliography:&amp;#039;&amp;#039;&amp;#039; Chauvin VIII 26; Landau 23; &amp;#039;&amp;#039;A World Tour of Laughter&amp;#039;&amp;#039;, ‘How Much Water is in the Ocean? -- Cough up the river’. &amp;#039;&amp;#039;Nihon Mukashibanashi Tsukan&amp;#039;&amp;#039;, ‘Kenkyu-hen 2’, 807-814; Marzolph, 32.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=7284&amp;oldid=prev</id>
		<title>Noeth: Text replacement - &quot;Has Content Tag=&quot; to &quot;Has Motif=&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=7284&amp;oldid=prev"/>
		<updated>2025-03-04T19:13:08Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Has Content Tag=&amp;quot; to &amp;quot;Has Motif=&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:13, 4 March 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Content Tag&lt;/del&gt;=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness; Overheard secret&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Motif&lt;/ins&gt;=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness; Overheard secret&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Noeth</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5514&amp;oldid=prev</id>
		<title>Bonsall at 13:31, 21 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5514&amp;oldid=prev"/>
		<updated>2025-01-21T13:31:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:31, 21 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001); Clouston (1884)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Overheard secret&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5509&amp;oldid=prev</id>
		<title>Bonsall at 13:00, 21 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5509&amp;oldid=prev"/>
		<updated>2025-01-21T13:00:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:00, 21 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;); Clouston (1884&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the precious aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&amp;#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&amp;#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&amp;#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&amp;#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&amp;#039;ll take out mine, we&amp;#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the precious aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&amp;#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&amp;#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&amp;#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&amp;#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&amp;#039;ll take out mine, we&amp;#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;See &lt;/del&gt;Nishimura &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for &lt;/del&gt;an extensive list of analoguous stories with impossible conditions in response to trickery.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;offers &lt;/ins&gt;an extensive list of analoguous stories with impossible conditions in response to trickery&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, as well as relevant motifs and reference narratives: &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Motifs:&#039;&#039;&#039; TMI F655: Extraordinary perception of blind men; H919.4: Impossible task assigned by plaintiff as proof. H1129.10.1 Impossible task: assembling a huge quantity of many-colored fleas; H1142.3 Task: drinking the sea dry: countertask: stop all the rivers; N411.5 :Sandalwood merchant sells his product at high price in land lacking sandalwood; N455.2.1: Robber’s secret overheard and later used in court against them; ATU978 The Youth in the Land of the Cheaters.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Reference stories, etc.:&#039;&#039;&#039; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Jacques de Vitry, &#039;&#039;Exempla&#039;&#039;, 208 ‘When Jacques de Vitry was at Paris…’ &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Stories of the drinking the sea dry are is related in: Plutarchos, &#039;&#039;Feast of the Seven Wise Men&#039;&#039;, 150F-151E; &#039;&#039;The Life of Aesop&#039;&#039;, 69-73; Steinhöwel, &#039;&#039;Äsop&#039;&#039;, ‘Life of Aesop’, 15; Caxton, &#039;&#039;Fables of Aesop&#039;&#039;, pp. 244-246; &#039;&#039;Esopo no Fabulas&#039;&#039;, ‘The Life of Aesop’, pp. 25-26; &#039;&#039;Isoho Monogatari&#039;&#039;, vol.1, 7 ‘Of the Covenant of Shanto to drink the Sea dry’; Schwarzbaum, &#039;&#039;Jewish and World Folklore&#039;&#039;, 273 ‘The Wager’; stories ‘How much water is in the sea?’ and ‘Dam the river’: &#039;&#039;Pfaffe Amis&#039;&#039;, 1; &#039;&#039;Till Eulenspiegel&#039;&#039;, 28 ‘Wie Ulenspiegel zu Brag in Behemen…’; &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 152 ‘Das Hirtenbüblein’ and KHM 134 ‘Die sechs Diener’; &#039;&#039;Folklore ordos&#039;&#039;, No. 24, ‘Esergei et Mesergei’. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Stories in which a man escapes from difficulty by eavesdropping (on the answer to a riddle): ‘The Devil and the Devil’s Granny’ in &#039;&#039;Grimm’s Fairy Tales&#039;&#039;, KHM 125 ‘Der Teufel und seine Großmutter’; &#039;&#039;Golden Legend&#039;&#039;, 129 ‘Praise of the Holy Cross’, pp. 411-414. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Motifs similar to fleas: &#039;&#039;Mahabharata&#039;&#039;, 3.115.12 and 5.104.26; &#039;&#039;The Book of Dede Korkut&#039;&#039;, 3 ‘Bamus Beiraki, the Son of Bai Byure’.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Similar treatment of riddling is found in: &#039;&#039;Akbar and Birbal Vinod&#039;&#039; (From &#039;&#039;Humorous Tales from India&#039;&#039;, pp. 167-168); &#039;&#039;Kathasaritsagara&#039;&#039;, chapter 74, 163F: &#039;Akshakshapaṇaka and the Wooden Doll’ and ch. 124, 171G: &#039;Muladeva and the Brahmin’s Daughter’; &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, 28 ‘Type Index’ 807-814 (&#039;difficult question and answer’ stories; 807 ‘Difficult question and answer -- which is the sounding hand’ is also in Rumi’s &#039;&#039;Mathanavi&#039;&#039;, 3.1380-1385).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Additional Bibliography:&#039;&#039;&#039; Chauvin VIII 26; Landau 23; &#039;&#039;A World Tour of Laughter&#039;&#039;, ‘How Much Water is in the Ocean? -- Cough up the river’. &#039;&#039;Nihon Mukashibanashi Tsukan&#039;&#039;, ‘Kenkyu-hen 2’, 807-814; Marzolph, 32&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5508&amp;oldid=prev</id>
		<title>Bonsall at 11:43, 21 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5508&amp;oldid=prev"/>
		<updated>2025-01-21T11:43:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:43, 21 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Epstein (1967); Nishimura (2001)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Has Content Tag=Deception; Impossible conditions; Riches; (Threat of) bodily mutilation; Wise old woman; Wise old man; Blindness&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;precious &lt;/ins&gt;aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&#039;ll take out mine, we&#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=See Nishimura for an extensive list of analoguous stories with impossible conditions in response to trickery.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=See Nishimura for an extensive list of analoguous stories with impossible conditions in response to trickery.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5157&amp;oldid=prev</id>
		<title>Bonsall: Created page with &quot;{{Inset Story |Has Critical Literature=Epstein (1967); Nishimura (2001) |Has Summary=&#039;&#039;&#039;The Blind Old Man&#039;&#039;&#039;    A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&#039;s stock of it with anything he desires. The second rogue beats the youth at dic...&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Senex_Caecus&amp;diff=5157&amp;oldid=prev"/>
		<updated>2024-12-11T15:03:08Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Inset Story |Has Critical Literature=Epstein (1967); Nishimura (2001) |Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;    A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&amp;#039;s stock of it with anything he desires. The second rogue beats the youth at dic...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Inset Story&lt;br /&gt;
|Has Critical Literature=Epstein (1967); Nishimura (2001)&lt;br /&gt;
|Has Summary=&amp;#039;&amp;#039;&amp;#039;The Blind Old Man&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
A foolish youth inherits a great fortune, and sails away to distant lands, where he is tricked by three rogues. The first rogue convinces him that the aloe wood (or sandalwood) he has purchased is actually worthless by burning a bit of it in the privy; he offers to replace the youth&amp;#039;s stock of it with anything he desires. The second rogue beats the youth at dice, after wagering that the loser will drink all the waters in the sea. The third rogue, one-eyed, claimed that the youth (whose eyes looked like the rogue&amp;#039;s) had stolen his eye, and must stand trial. The youth, tricked at every turn, despairs, but an old woman tells him where to find the wise blind man who counsels all the rogues in the city. The youth sneaks near to the blind man, and overhears the first rogue tell his story. The old man says his promise was foolish - what if the youth asks for his cart to be filled with fleas, half male and half female? The rogue protests that the young man won&amp;#039;t be shrewd enough to say this. The second rogue tells his story, and the old man tells him that he, too, has done badly - what if the youth says, dam up all the rivers that flow into the sea and then I&amp;#039;ll drink it. The seond rogue also protests that the youth will not be that clever. The third rogue tells his story, and the old man cautions him - what if the youth says, take out your eye, I&amp;#039;ll take out mine, we&amp;#039;ll weigh them to see if they are equal? The youth sneaks away, and does exactly as the wise blind man had said, offering each of the rogues an impossible challenge, which they are of course unable to meet, and so he keeps his wealth, health, and freedom.&lt;br /&gt;
|Has Note=See Nishimura for an extensive list of analoguous stories with impossible conditions in response to trickery.&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
</feed>