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	<id>https://db.seven-sages-of-rome.org/index.php?action=history&amp;feed=atom&amp;title=Vadium</id>
	<title>Vadium - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://db.seven-sages-of-rome.org/index.php?action=history&amp;feed=atom&amp;title=Vadium"/>
	<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;action=history"/>
	<updated>2026-06-18T11:00:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=13202&amp;oldid=prev</id>
		<title>Bonsall at 14:34, 28 November 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=13202&amp;oldid=prev"/>
		<updated>2025-11-28T14:34:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:34, 28 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Deceitful lover&lt;/del&gt;; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring; Member of Clergy&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring; Member of Clergy&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Adultery; Misinterpretation; Concealed lover; Deceitful lover; Jealous husband; Violent punishment&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&#039;s wife&#039;s chambers, with the would-be-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;over &lt;/del&gt;concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and murder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&#039;s wife&#039;s chambers, with the would-be-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lover &lt;/ins&gt;concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and murder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Steinmetz, Die Hystorij von Diocleciano (1999)]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;From &lt;/ins&gt;[[Steinmetz, Die Hystorij von Diocleciano (1999)]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[Added by Jane Bonsall&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=13201&amp;oldid=prev</id>
		<title>Bonsall at 14:19, 28 November 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=13201&amp;oldid=prev"/>
		<updated>2025-11-28T14:19:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:19, 28 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring; Member of Clergy&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring; Member of Clergy&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and murder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and murder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Steinmetz, Die Hystorij von Diocleciano (1999)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=11307&amp;oldid=prev</id>
		<title>Bonsall at 13:39, 1 July 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=11307&amp;oldid=prev"/>
		<updated>2025-07-01T13:39:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:39, 1 July 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring; Member of Clergy&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring; Member of Clergy&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&#039;s wife&#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;muder &lt;/del&gt;her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&#039;s wife&#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;murder &lt;/ins&gt;her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=9440&amp;oldid=prev</id>
		<title>Bonsall at 11:55, 4 April 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=9440&amp;oldid=prev"/>
		<updated>2025-04-04T11:55:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:55, 4 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Motif=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Member of Clergy&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=7250&amp;oldid=prev</id>
		<title>Noeth: Text replacement - &quot;Has Content Tag=&quot; to &quot;Has Motif=&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=7250&amp;oldid=prev"/>
		<updated>2025-03-04T19:13:04Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Has Content Tag=&amp;quot; to &amp;quot;Has Motif=&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:13, 4 March 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Content Tag&lt;/del&gt;=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Motif&lt;/ins&gt;=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused; Identity object; Clothes; Ring&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Noeth</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5540&amp;oldid=prev</id>
		<title>Bonsall at 16:31, 21 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5540&amp;oldid=prev"/>
		<updated>2025-01-21T16:31:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:31, 21 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality; Slander: wife falsely accused&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Identity object; Clothes; Ring&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5480&amp;oldid=prev</id>
		<title>Bonsall at 12:53, 20 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5480&amp;oldid=prev"/>
		<updated>2025-01-20T12:53:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:53, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder; Evidence; False evidence of unchastity/criminality&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Slander: wife falsely accused&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5479&amp;oldid=prev</id>
		<title>Bonsall at 12:53, 20 January 2025</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5479&amp;oldid=prev"/>
		<updated>2025-01-20T12:53:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:53, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Inset Story&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(False) proof of fidelity; &lt;/del&gt;Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Content Tag=Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; Evidence; False evidence of unchastity/criminality&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
	<entry>
		<id>https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5408&amp;oldid=prev</id>
		<title>Bonsall: Created page with &quot;{{Inset Story |Has Critical Literature=Nishimura (2001); Steinmetz (1999) |Has Content Tag=(False) proof of fidelity; Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder |Has Summary=A merchant brags to his fellows about his wife&#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-love...&quot;</title>
		<link rel="alternate" type="text/html" href="https://db.seven-sages-of-rome.org/index.php?title=Vadium&amp;diff=5408&amp;oldid=prev"/>
		<updated>2025-01-10T18:45:19Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Inset Story |Has Critical Literature=Nishimura (2001); Steinmetz (1999) |Has Content Tag=(False) proof of fidelity; Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder |Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-love...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Inset Story&lt;br /&gt;
|Has Critical Literature=Nishimura (2001); Steinmetz (1999)&lt;br /&gt;
|Has Content Tag=(False) proof of fidelity; Deception; Failed/rejected seduction; Deceitful lover; Person concealed within a chest; Chastity; Riches; Murder&lt;br /&gt;
|Has Summary=A merchant brags to his fellows about his wife&amp;#039;s chastity. He bets a huge amount of money that none of them could seduce her, and one of them sets out to try. However, despite all his efforts, the wife is unmoved. The would-be-lover despairs, until he is offered a solution by a pious-seeming monk. The monk contrives an excuse to have a large chest delivered to the merchant&amp;#039;s wife&amp;#039;s chambers, with the would-be-over concealed inside. Once there, the man collects some of her belongings - a belt, a ring - and also spies on her in her sleep, observing that she has a mole under her right breast. Armed with this false evidence, he returns to the merchant, who believes that his wife has indeed been unfaithful. The merchant sends a servant to his household ahead of his return, with instructions to take his wife out into the woods and muder her. Taking pity on her, the servant lets the wife escape, and brings her bloody nightgown to his master as evidence of her death.&lt;br /&gt;
|Has Note=Nishimura notes motif types for this story (TMI K1342, K2112.1, ATU 882, TU5194), and several analogues and reference stories: &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Analogues:&amp;#039;&amp;#039;&amp;#039; Hagen, &amp;#039;&amp;#039;Gesamtabenteuer&amp;#039;&amp;#039;, 68 ‘Zwei Kaufmänner und die treue Hausfrau’ (by Ruprecht von Würzburg); &amp;#039;&amp;#039;Gesta Romanorum&amp;#039;&amp;#039;, 69 ‘Das Hemd der Treue’; &amp;#039;&amp;#039;Decameron&amp;#039;&amp;#039;, 2.9 (possibly the original source for this); Bandello, &amp;#039;&amp;#039;Le Novelle&amp;#039;&amp;#039;, 21; Shakespeare, &amp;#039;&amp;#039;Cymbeline&amp;#039;&amp;#039; (up to the second act); Rosen, &amp;#039;&amp;#039;Das Papageienbuch&amp;#039;&amp;#039;, Night 7: ‘Geschichte vom indischen Königssohn und dem Weibe des Kriegers’; Grimm, &amp;#039;&amp;#039;Deutsche Sagen&amp;#039;&amp;#039;, 531 ‚Der Mann im Pflug‘.&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Bonsall</name></author>
	</entry>
</feed>