Topkapı Sarayı, Istanbul (Fātiḥ 3682): Difference between revisions

@@ Line 6: / Line 6: @@
 |Has Standardised Title Of Narrative=Sindbadnama
 |Has Siglum Of The Version Of The Seven Sages=Persian Sindbadnama
-|Has Language Group Within Version=Persian
+|Has Narrative Or Scholarly Group Within Version=Zahiri al Samarqandi, Sindbadnama
 |Has Language=Persian
 |Has Regional Language=Dari (Insha)
-|Has Digitisation=TYEKB portal (Turkish Manuscript Institution Presidency)
+|Has Digitisation=TYEKB portal (Turkish Manuscript Institution Presidency); https://portal.yek.gov.tr/works/detail/242022
 |Has Modern Edition=Ahmed Ateş, Sindbād-nāme (Yazarı: Zahîrî-yi Semerkandî), Istanbul: Milli Eğitim Basımevi, 1948
 |Has Author=Muḥammad ibn ʿAlī al-Ẓāhīrī al-Samarqandī
 |Has Canonical Name Of Author=Zahiri al Samarqandi
 |Has Place Of Production=Shiraz
-|Has Date Of Production=late 14th century
+|Has Start Date Of Production=1483
-|Has Islamic Date Of Production=8th century
+|Has End Date Of Production=1488
+|Has Islamic Date Of Production=883-884
+|Is Date Uncertain=No
 |Has Source For Date Of Production=Ahmed Ateş, Sindbād-nāme (Yazarı: Zahîrî-yi Semerkandî), Istanbul: Milli Eğitim Basımevi, 1948
 |Has Material=Paper
-|Has Total Pages In Manuscript=171
 |Has Height=24.5 cm
 |Has Width=16.5 cm
@@ Line 25: / Line 26: @@
 |Has Illustrations=Yes
 |Has Catalogue=F. E. Karatay, Topkapı Sarayı Müzesi Kütüphanesi Farsça Yazmalar Kataloğu (Catalogue of Persian Manuscripts in the Topkapi Palace Museum Library), Istanbul, 1961
-|Has Modern Research Literature=Ahmed Ateş, Sindbād-nāme (Yazarı: Zahîrî-yi Semerkandî), Istanbul: Milli Eğitim Basımevi, 1948.; B.W. Robinson's Persian Paintings in the Topkapi Saray Museum (1991); Günsel Renda, The Transformation of Persian Imagery into Ottoman Style: The Sindbadnama, in "Seventh International Congress of Turkish Art", Warsaw, 1991
+}}
-|Has Internal Notes=This ornately illustrated manuscript has 72 miniatures from the famous school of Injuid/early Muzaffarid Shiraz, depicting key scenes from within the narrative. It likely arrived in Ottoman hands as part of a gift exchange under Mehmet Fatih.
+{{ExternalCatalogueLink
+|Has External Catalogue Link=https://portal.yek.gov.tr/works/detail/242022
 }}