Mario Teluccini, Erasto in verse: Difference between revisions
From The Seven Sages of Rome
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|Has Modern Research Literature=Wikeley (1983); Lalomia (2019) | |Has Modern Research Literature=Wikeley (1983); Lalomia (2019) | ||
|Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019) | |Has Modern Edition=Teluccini, Erasto, ed. by Lalomia (2019) | ||
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{{EmbeddedStory | |||
|Has Short Title=Canis | |||
|Has Sequence Number=1 | |||
|Has Narrator=Euprosigoro | |||
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|Has Short Title=Arbor | |||
|Has Sequence Number=2 | |||
|Has Narrator=Empress | |||
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|Has Short Title=Medicus | |||
|Has Sequence Number=3 | |||
|Has Narrator=Dimurgo | |||
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|Has Short Title=Aper | |||
|Has Sequence Number=4 | |||
|Has Narrator=Empress | |||
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|Has Short Title=Tentamina | |||
|Has Sequence Number=5 | |||
|Has Narrator=Terno | |||
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|Has Short Title=Sapientes | |||
|Has Sequence Number=6 | |||
|Has Narrator=Empress | |||
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{{EmbeddedStory | |||
|Has Short Title=Zelus | |||
|Has Sequence Number=7 | |||
|Has Narrator=Enoscopo | |||
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|Has Short Title=Gaza | |||
|Has Sequence Number=8 | |||
|Has Narrator=Empress | |||
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{{EmbeddedStory | |||
|Has Short Title=Inclusa | |||
|Has Sequence Number=9 | |||
|Has Narrator=Filandro | |||
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{{EmbeddedStory | |||
|Has Short Title=Roma | |||
|Has Sequence Number=10 | |||
|Has Narrator=Empress | |||
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|Has Short Title=Corpus Delicti | |||
|Has Sequence Number=11 | |||
|Has Narrator=Agato | |||
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|Has Short Title=Virgilius | |||
|Has Sequence Number=12 | |||
|Has Narrator=Empress | |||
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{{EmbeddedStory | |||
|Has Short Title=Caepulla | |||
|Has Sequence Number=13 | |||
|Has Narrator=Leuco | |||
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|Has Short Title=Puer Adoptatus | |||
|Has Sequence Number=14 | |||
|Has Narrator=Empress | |||
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{{EmbeddedStory | |||
|Has Short Title=Vaticinium | |||
|Has Sequence Number=15 | |||
|Has Narrator=Prince | |||
|Has Name Variation=Erasto | |||
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Revision as of 18:09, 9 December 2025
Mario Teluccini's verse Erasto poem, composed in ottava rima, in nine cantos, was published in 1566 - just decades after the emergence of the first version of the Erasto narrative in 1542. Wikeley observes that in addition to attempting to build on the Erasto's popularity, Teluccini was also drawing on Ariosto's Orlando furioso for inspiration (Wikeley, 1983, p. 11-12). The poem was not immensely successful, however.
General Information
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Title
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Date of Composition
1566
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Literature & Editions
Modern research literature
Modern Editions
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