Latin Dolopathos: Difference between revisions
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|Has Author=Johannes de Alta Silva | |Has Author=Johannes de Alta Silva | ||
|Has Title=Dolopathos sive Rege et Septem Sapientibus | |Has Title=Dolopathos sive Rege et Septem Sapientibus | ||
|Has Branch Of Tradition=Seven Sages of Rome | |Has Branch Of Tradition=Seven Sages of Rome | ||
|Has Language Of Version=Latin | |Has Language Of Version=Latin | ||
|Is Translated Into Languages=Old French | |Is Translated Into Languages=Old French | ||
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|Has Start Date Of Composition=1184 | |Has Start Date Of Composition=1184 | ||
|Has End Date Of Composition=1212 | |Has End Date Of Composition=1212 | ||
|Has Modern Research Literature=Gilleland (1977); Gilleland (1981); Foehr-Janssens (1994); Runte, Wikeley, Farrell (1984); Runte, Society of the Seven Sages Portal (2014); Jaunzems (1978); Bildhauer (2022); Crosland (1956); Klapper (1943); Lundt (2002); Foehr-Janssens and Métry (2000); Losert (2008); Maaz (1993); Studemund (1875); Roth (2004); Mussafia (1867); Gibson (2025) | |Has Modern Research Literature=Gilleland (1977); Gilleland (1981); Foehr-Janssens (1994); Runte, Wikeley, Farrell (1984); Runte, Society of the Seven Sages Portal (2014); Jaunzems (1978); Bildhauer (2022); Crosland (1956); Klapper (1943); Lundt (2002); Foehr-Janssens and Métry (2000); Losert (2008); Maaz (1993); Studemund (1875); Roth (2004); Mussafia (1867); Gibson (2025) | ||
|Has Modern Edition=Gilleland, Dolopathos (1981); Oesterley, Johannes de Alta Silva: Dolopathos sive De rege et septem sapientibus (1873); Hilka, Johannes de Alta Silva: Dolopathos sive De rege et septem sapientibus (1913) | |Has Modern Edition=Gilleland, Dolopathos (1981); Oesterley, Johannes de Alta Silva: Dolopathos sive De rege et septem sapientibus (1873); Hilka, Johannes de Alta Silva: Dolopathos sive De rege et septem sapientibus (1913) | ||
|Is Adapted Into=French Dolopathos | |||
|Has Source For Composition And Adaption Information=Gilleland (1981) | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
Latest revision as of 12:07, 23 February 2026
The original Latin version of the narrative Dolopathos sive Rege et Septem Sapientibus was composed by the Cistercian monk Johannes de Alta Silva (or Jean de Haute-Seille) sometime between 1184 and 1212. The work is dedicated to Bertrand, Bishop of Metz, and between these dates the monastery of Haute-Seille was in the bishop's diocese.
Dolopathos (in the original Latin, as well as the Old French translation) represents a unique version of the Seven Sages tradition, distinct from all the other Western texts. As outlined in Gilleland, the narrative opens with a lengthy preamble that sets the scene of the frame story in Sicily, whose king Dolopathos - meaning one who suffers great grief - is characterised as a beloved and benevolent ruler. His political enemies slander him to the Roman emperor Caesar Augustus, but Dolopathos travels to Rome and mounts an eloquent defense of the justice of his rule. Learning how beloved he is by his people, Augustus rules in Dolopathos' favour, and the two become friends; Augustus even gives Dolopathos his wife's sister (the daughter of Agrippa) in marriage, who bears him a son. The boy is foretold to rule Sicily, to suffer treachery, and to worship the greatest god - presaging the conversion to Christianity at the end of the text. The education of the prince Lucinus follows the pattern found in the Eastern narratives, in that a single sage - Virgil, in this case - educates him until he has mastered the arts and sciences. His vow of silence upon his return to the king's court is punctuated by his written communication; this does not stop his step-mother from accusing him of rape after her failed seduction attempt.
The following stories-as-evidence told by seven sages from Rome and eventually Virgil diverge from the expected pattern, in that the queen does not tell any stories in between the sages' tales. In addition to the omission of half the expected tales, Dolopathos is further distinguished by the unique collection of tales it does contain. The first story, Canis, is the only embedded tale found across all major branches of the tradition; of the rest, two (Gaza, Puteus) are part of all of the versions of the broad Western Seven Sages tradition (e.g., the Historia and Version A). Of the others, seven are found nowhere else in the tradition, and several - Creditor, Cygni, and Polyphemus - have important links to broader European literary traditions, sometimes appearing here for the first time before their eventual widespread popularity.
General Information
Language & Composition
Literature & Editions
Recorded Branch of This Secondary Version
Adaptations
Pattern of Embedded Stories in This Version
| Has Short Title | Has Sequence Number | Has Narrator | Has Name Variation |
|---|---|---|---|
| Canis – The Faithful Dog | 1 | First Master | |
| Gaza – The Treasure | 2 | Second Master | |
| Senes | 3 | Third Master | |
| Creditor | 4 | Fourth Master | |
| Viduae Filius | 5 | Fifth Master | |
| Latronis Filii | 6 | Sixth Master | |
| Polyphemus | 7 | Sixth Master | |
| Striges – The Bandit and the Demons | 8 | Sixth Master | |
| Cygni | 9 | Seventh Master |
Connected Manuscripts