Arabic Version A (The Seven Viziers): Difference between revisions

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|Has Description=The narrative titled ''Kitāb al-Sindbād'', or  الوزراء السبعة [Al-Wuzarāʾ al-sabʿa, ''The Seven Viziers''] is redacted as part of the ''[[Arabic Version A101 (Hundred and One Nights)|One Hundred and One]]'' and ''One Thousand and One Nights'' tale collections, but was also transmitted independently of those larger frame narratives. This iteration of of the text, usually referred to in scholarship as Arabic Version A, bears some marked differences from the ''One Hundred and One Nights'' version (A101), despite core similarities. For example, A101 usually inserts the story [[Elephantus]] at the start of the text, which is not found in Arabic Version A. The following stories are then the same for the two versions up to the 15th (Version A) or 16th (Version A101) story, [[Simia]], after which their patterns diverge, and each ends with four or five unique stories (see story order, below).   
|Has Description=The narrative titled ''Kitāb al-Sindbād'', or  الوزراء السبعة [Al-Wuzarāʾ al-sabʿa, ''The Seven Viziers''] is redacted as part of the ''[[Arabic Version A101 (Hundred and One Nights)|One Hundred and One]]'' and ''[[Arabic Version A1001 (Thousand and One Nights)|One Thousand and One Nights]]'' tale collections, but was also transmitted independently of those larger frame narratives. This iteration of the ''Seven Viziers'' narrative, usually referred to in scholarship as Arabic Version A, is most closely related to the version found in the ''One Hundred and One Nights'' (A101), but also exhibits some distinct differences. For example, A101 usually inserts the story [[Elephantus]] at the start of the text, which is not found in Arabic Version A. The following stories are then the same for the two versions up to the 15th (Version A) or 16th (Version A101) story, [[Simia]], after which their patterns diverge, and each ends with four or five unique stories (see story order, below).   


The different Arabic Version A manuscripts, listed here, also demonstrate some variation in the number and order of stories contained within them. For example, the earliest surviving independent ''Seven Viziers'' text -  c. 1535, edited by Ateş in the appendix to his edition of ''Sindbad-name'' (1948), found in the Ali Paşa Library in Istanbul - contains the 21 stories listed below. Other later versions from the 18th century, including [[Paris Bibliothèque nationale de France, Arabe 3670|Bibliothèque nationale de France, Arabe 3670]] and [[Paris Bibliothèque nationale de France, Arabe 3639]] edited by Basset in 1903, include 24 stories instead. Notably, they include some stories - e.g. [[Curiositas]], [[Imago]], [[Capsa]] - that appear infrequently (if at all) elsewhere in the tradition.
The different Arabic Version A manuscripts, listed here, also demonstrate some variation in the number and order of stories contained within them. For example, the earliest surviving independent ''Seven Viziers'' text -  c. 1535, edited by Ateş in the appendix to his edition of ''Sindbad-name'' (1948), found in the Ali Paşa Library in Istanbul - contains the 21 stories listed below. Other later versions from the 18th century, including [[Paris Bibliothèque nationale de France, Arabe 3670|Bibliothèque nationale de France, Arabe 3670]] and [[Paris Bibliothèque nationale de France, Arabe 3639]] edited by Basset in 1903, include 24 stories instead. Notably, they include some stories - e.g. [[Curiositas]], [[Imago]], [[Capsa]] - that appear infrequently (if at all) elsewhere in the tradition.

Latest revision as of 09:57, 11 November 2025

The narrative titled Kitāb al-Sindbād, or الوزراء السبعة [Al-Wuzarāʾ al-sabʿa, The Seven Viziers] is redacted as part of the One Hundred and One and One Thousand and One Nights tale collections, but was also transmitted independently of those larger frame narratives. This iteration of the Seven Viziers narrative, usually referred to in scholarship as Arabic Version A, is most closely related to the version found in the One Hundred and One Nights (A101), but also exhibits some distinct differences. For example, A101 usually inserts the story Elephantus at the start of the text, which is not found in Arabic Version A. The following stories are then the same for the two versions up to the 15th (Version A) or 16th (Version A101) story, Simia, after which their patterns diverge, and each ends with four or five unique stories (see story order, below).

The different Arabic Version A manuscripts, listed here, also demonstrate some variation in the number and order of stories contained within them. For example, the earliest surviving independent Seven Viziers text - c. 1535, edited by Ateş in the appendix to his edition of Sindbad-name (1948), found in the Ali Paşa Library in Istanbul - contains the 21 stories listed below. Other later versions from the 18th century, including Bibliothèque nationale de France, Arabe 3670 and Paris Bibliothèque nationale de France, Arabe 3639 edited by Basset in 1903, include 24 stories instead. Notably, they include some stories - e.g. Curiositas, Imago, Capsa - that appear infrequently (if at all) elsewhere in the tradition.

Language and Composition
Original language of version Arabic
Language of text Arabic
Regional or specific language of version
Translated into (languages)
Place of composition
Date of composition 700 - 850
Islamic date of composition
Hebrew date of composition
Source for date of composition Krönung (2016)Ateş (1948)
Modern Scholarship and Editions
Modern research literature Ateş (1948)Krönung (2016)Redwan (2023)Ott (2012)Artola (1978)Perry (1960)Basset (1903)Belcher (1987)
Modern Editions Ateş, Sindbād̲-nāme (1948)
Notes and Commentary
Note
Notes on motifs
Notes on the frame
Pattern of embedded stories in this version
Has Short TitleHas Sequence NumberHas NarratorHas Name Variation
Leo1  
Avis2  
Lavator3  
Panes4  
Gladius5  
Striga6  
Mel7  
Zuchara8  
Fons9  
Balneator10  
Canicula11  
Aper12  
Canis13  
Pallium14  
Simia15  
Turtures16  
Elephantinus17  
Ingenia18  
Puer 3 annorum19  
Puer 5 annorum20  

Connected prints

No connected prints