Erasto (Es)

From The Seven Sages of Rome
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Erasto, or I compassionevoli avvenimenti di Erasto, was first published in 1542, and went through more than 31 editions before the end of the century. Its enormous popularity led to translations into French, Spanish (and then back to French again), English, and Hebrew.

The Erasto text derives from the fifteenth- or early-sixteeenth-century L'Amabile di Continentia (Em) manuscrupt tradition. The two texts follow the same narrative pattern, beginning with the usual story order found in all the Version I (Versio Italico) texts, then diverging from the seventh story, Zelus, told by the sage Enoscopo.

Identification and general Information
Reference Number
Siglum of the version of the Seven Sages
Version Number
Title
Author
Tradition and Lineage
Branch of the tradition
Adapted from (version) I (Versio Italica)
Adapted into (version)
Source for composition and adaptation information
Recorded secondary versions
Connected manuscripts

No connected manuscripts

Language and Composition
Original language of version
Language of text
Regional or specific language of version
Translated into (languages)
Place of composition
Date of composition 1542
Islamic date of composition
Hebrew date of composition
Source for date of composition
Modern Scholarship and Editions
Modern research literature Cappelli (1865)
Modern Editions
Notes and Commentary
Note
Notes on motifs
Notes on the frame Property "Has Note On The Frame" (as page type) with input value "According to Wikeley (1983), the emperor is called Diocleziano, the prince Erasto, the stepmother Afrodisia, and the sages are named.</br></br>The frame occupies a large amount of the text, approximately 50%.</br></br>Contains three analogous stories: Zelus, Corpus Delicti, and Puer Adoptatus." contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.According to Wikeley (1983), the emperor is called Diocleziano, the prince Erasto, the stepmother Afrodisia, and the sages are named.

The frame occupies a large amount of the text, approximately 50%.

Contains three analogous stories: Zelus, Corpus Delicti, and Puer Adoptatus.

Pattern of embedded stories in this version

Connected prints