Dolopathos: Difference between revisions
No edit summary |
No edit summary |
||
(12 intermediate revisions by one other user not shown) | |||
Line 1: | Line 1: | ||
{{Version | {{Version | ||
|Has Description=The narrative ''Dolopathos, sive Rege et Septem Sapientibus'' (''The King and the Seven Wise Men'') was composed by the Cistercian monk Johannes de Alta Silva (or Jean de Haute-Seille) sometime between 1184 and 1212. The work is dedicated to Bertrand, Bishop of Metz, and between these dates the monastery of Haute-Seille was in the bishop's diocese. The original [[Latin Dolopathos|Latin ''Dolopathos'']] was translated into [[French Dolopathos|Old French]] by the poet and trouvere Herbert in the early 13th century. | |||
''Dolopathos'' represents a unique version of the ''Seven Sages'' tradition, distinct from all the other Western texts. As outlined in [[Gilleland, Dolopathos (1981)|Gilleland]], the narrative opens with a lengthy preamble that sets the scene of the frame story in Sicily, whose king Dolopathos - meaning one who suffers great grief - is characterised as a beloved and benevolent ruler. His political enemies slander him to the Roman emperor Caesar Augustus, but Dolopathos travels to Rome and mounts an eloquent defense of the justice of his rule. Learning how beloved he is by his people, Augustus rules in Dolopathos' favour, and the two become friends; Augustus even gives Dolopathos his wife's sister (the daughter of Agrippa) in marriage, who bears him a son. The boy is foretold to rule Sicily, to suffer treachery, and to worship the greatest god - presaging the conversion to Christianity at the end of the text. The education of the prince Lucinus follows the pattern found in the Eastern narratives, in that a single sage - Virgil, in this case - educates him until he has mastered the arts and sciences. His vow of silence upon his return to the king's court is punctuated by his written communication; this does not stop his step-mother from accusing him of rape after her failed seduction attempt. | |||
The following stories-as-evidence told by seven sages from Rome and eventually Virgil diverge from the expected pattern, in that the queen does not tell any stories in between the sages' tales. In addition to the omission of half the expected tales, ''Dolopathos'' is further distinguished by the unique collection of tales it ''does'' contain. The first story, [[Canis]], is the only embedded tale found across all major branches of the tradition; of the rest, two ([[Gaza]], [[Puteus]]) are part of all of the versions of the broad Western ''Seven Sages'' tradition (e.g., the [[H (Historia Septem Sapientum)|Historia]] and [[A (Seven Sages)|Version A]]). Of the others, seven are found nowhere else in the tradition, and several - [[Creditor]], [[Cygni]], and [[Polyphemus]] - have important links to broader European literary traditions, sometimes appearing here for the first time before their eventual widespread popularity. | |||
|Has Title=Dolopathos | |Has Title=Dolopathos | ||
|Has Siglum=Dolopathos | |Has Siglum=Dolopathos | ||
|Has Branch Of Tradition=West | |Has Branch Of Tradition=West | ||
|Has Original Language Of Version=Latin | |||
|Is Translated Into Languages=French | |||
|Has Place Of Text Composition=Haute-Seuille, France | |||
|Has Start Date Of Composition=1184 | |||
|Has End Date Of Composition=1212 | |||
|Has Source For Date Of Text Composition=Gilleland (1981) | |||
|Has Text Language=Latin | |||
|Has Modern Research Literature=Gilleland (1981); Speer (1997); Speer (1996); Simons (2013); Paris (1876); Johnson (2015); Foehr-Janssens (1994); Chandramohan (2023); Berne-Aïache (1992); Runte, Wikeley, Farrell (1984); Le Roux de Lincy (1838); Amaury (1838); Mussafia (1864); Gontero (2014); Jaunzems (1978); Leclanche (1990); Leclanche (1998); Leclanche (1997); Herbin (1998); Bildhauer (2022); Crosland (1956); Gilleland (1977); Klapper (1943); Foehr-Janssens and Métry (2000); Lundt (2002); Gilleland (1978); Gibson (2025) | |||
|Has Modern Edition=Gilleland, Dolopathos (1981); Herbert, Le Roman de Dolopathos, ed. Brunet and Montaiglon (1856); Herbert, Le Roman de Dolopathos, ed. Lechlanche (1997); Oesterley, Johannes de Alta Silva: Dolopathos sive De rege et septem sapientibus (1873); Hilka, Johannes de Alta Silva: Dolopathos sive De rege et septem sapientibus (1913); Foehr-Janssens and Métry, Dolopathos (2000) | |||
|Has Note=Note: The story order below reflects the [[Latin Dolopathos]]' tales, and is therefore missing [[Inclusa]], which [[French Dolopathos|Herbert's translation]] added. In all ''Dolopathos'' versions, two of the stories listed below - [[Polyphemus]] and [[Striges]] - are embedded within the frame story of [[Latronis Filii]]. | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title=Canis | |Has Short Title=Canis | ||
|Has Sequence Number=1 | |Has Sequence Number=1 | ||
|Has Narrator=First Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title=Gaza | |Has Short Title=Gaza | ||
|Has Sequence Number=2 | |Has Sequence Number=2 | ||
|Has Narrator=Second Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title=Senes | |Has Short Title=Senes | ||
|Has Sequence Number=3 | |Has Sequence Number=3 | ||
|Has Narrator=Third Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title=Creditor | |Has Short Title=Creditor | ||
|Has Sequence Number=4 | |Has Sequence Number=4 | ||
|Has Narrator=Fourth Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title=Viduae Filius | |Has Short Title=Viduae Filius | ||
|Has Sequence Number=5 | |Has Sequence Number=5 | ||
|Has Narrator=Fifth Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title=Latronis Filius | |Has Short Title=Latronis Filius | ||
|Has Sequence Number=6 | |Has Sequence Number=6 | ||
|Has Narrator=Sixth Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title= | |Has Short Title=Polyphemus | ||
|Has Sequence Number=7 | |Has Sequence Number=7 | ||
|Has Narrator=Sixth Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title= | |Has Short Title=Striges | ||
|Has Sequence Number=8 | |Has Sequence Number=8 | ||
|Has Narrator=Sixth Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title= | |Has Short Title=Cygni | ||
|Has Sequence Number=9 | |||
|Has Narrator=Seventh Master | |||
}} | }} | ||
{{EmbeddedStory | {{EmbeddedStory | ||
|Has Short Title= | |Has Short Title=Puteus | ||
|Has Sequence Number=10 | |||
|Has Narrator=Virgil | |||
}} | }} | ||
Latest revision as of 09:32, 26 June 2025
The narrative Dolopathos, sive Rege et Septem Sapientibus (The King and the Seven Wise Men) was composed by the Cistercian monk Johannes de Alta Silva (or Jean de Haute-Seille) sometime between 1184 and 1212. The work is dedicated to Bertrand, Bishop of Metz, and between these dates the monastery of Haute-Seille was in the bishop's diocese. The original Latin Dolopathos was translated into Old French by the poet and trouvere Herbert in the early 13th century.
Dolopathos represents a unique version of the Seven Sages tradition, distinct from all the other Western texts. As outlined in Gilleland, the narrative opens with a lengthy preamble that sets the scene of the frame story in Sicily, whose king Dolopathos - meaning one who suffers great grief - is characterised as a beloved and benevolent ruler. His political enemies slander him to the Roman emperor Caesar Augustus, but Dolopathos travels to Rome and mounts an eloquent defense of the justice of his rule. Learning how beloved he is by his people, Augustus rules in Dolopathos' favour, and the two become friends; Augustus even gives Dolopathos his wife's sister (the daughter of Agrippa) in marriage, who bears him a son. The boy is foretold to rule Sicily, to suffer treachery, and to worship the greatest god - presaging the conversion to Christianity at the end of the text. The education of the prince Lucinus follows the pattern found in the Eastern narratives, in that a single sage - Virgil, in this case - educates him until he has mastered the arts and sciences. His vow of silence upon his return to the king's court is punctuated by his written communication; this does not stop his step-mother from accusing him of rape after her failed seduction attempt.
The following stories-as-evidence told by seven sages from Rome and eventually Virgil diverge from the expected pattern, in that the queen does not tell any stories in between the sages' tales. In addition to the omission of half the expected tales, Dolopathos is further distinguished by the unique collection of tales it does contain. The first story, Canis, is the only embedded tale found across all major branches of the tradition; of the rest, two (Gaza, Puteus) are part of all of the versions of the broad Western Seven Sages tradition (e.g., the Historia and Version A). Of the others, seven are found nowhere else in the tradition, and several - Creditor, Cygni, and Polyphemus - have important links to broader European literary traditions, sometimes appearing here for the first time before their eventual widespread popularity.
Identification and general Information | |
---|---|
Reference Number | |
Siglum of the version of the Seven Sages | Dolopathos |
Version Number | |
Title | Dolopathos |
Author |
Tradition and Lineage | |
---|---|
Branch of the tradition | West |
Adapted from (version) | |
Adapted into (version) | |
Source for composition and adaptation information |
Recorded secondary versions |
---|
Connected manuscripts |
---|
|
Language and Composition | |
---|---|
Original language of version | Latin |
Language of text | Latin |
Regional or specific language of version | |
Translated into (languages) | French |
Place of composition | Haute-Seuille, France |
Date of composition | 1184 - 1212 |
Islamic date of composition | |
Hebrew date of composition | |
Source for date of composition | Gilleland (1981) |
Notes and Commentary | |
---|---|
Note | |
Notes on motifs | |
Notes on the frame |
Pattern of embedded stories in this version |
---|
|
Connected prints |
---|
No connected prints |