Il Libro dei Sette Savi de Roma (C): Difference between revisions

From The Seven Sages of Rome
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|Has Text Language=Italian
|Has Text Language=Italian
|Has Regional Language=Toscano
|Has Regional Language=Toscano
|Has Modern Research Literature=Capelli (1865); Rajna (1880); D'Agostino (2022); Bianchi (2014-2015); Lusiani (2019); Lasagni (2012)
|Has Modern Research Literature=Rajna (1880); D'Agostino (2022); Bianchi (2014-2015); Lusiani (2019); Lasagni (2012); Ricci (1982); Marucci (1987); Cappelli (1865)
|Has Modern Edition=Capelli, Il libro de Sette Savi, 1865; Lasagni, Il Libro dei Sette Savi di Roma (2012)
|Has Modern Edition=Capelli, Il libro de Sette Savi, 1865; Lasagni, Il Libro dei Sette Savi di Roma (2012); Cappelli, Il Libro dei Sette Savi (1865)
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Revision as of 11:42, 18 November 2025

The Libro dei Sette Savi de Roma, found in the fourteenth-century Modena manuscript (below), was edited by Antonio Cappelli in 1865 and thus takes the siglum 'C' in scholarship. Because the Modena codex is damaged at the start of the Sette Savi narrative, Capelli replaced the opening of the text with an insertion from the edition of Storia d'una Crudele Matrigna (M), as published by Della Lucia (1832).

Il Libro dei Sette Savi (C) is one of the three texts that forms the closely related 'ramo italico antico', the old branch of the Italian Seven Sages texts, alongside the Latin Versio Italica historiae septem sapientum (L), and Italian Storia d'una Crudele Matrigna (M). Like both of these redactions, Libro (C) has fourteen, rather than the expected fifteen, stories. The storytelling contest begins with the sages' first story, Canis, rather than a story told by the empress; her story Senescalcus is omitted entirely, and she tells six rather than seven stories. Some scholarship (Rajna) suggests this omission may have been made out of prudishness (as Senescalcus is the most explicit of the tales usually found in the Version A pattern); whatever the reason, the change necessitated a reordering of the narrative components of the text (see story order, below).

D'Agostino (2022) explores the complex relationship between the three 'ramo antico' redactions at length. Through close analysis of the textual variations across all manuscript witness of the three redactions, D'Agostino suggests that the Latin Versio Italica (or some specific manuscript witnesses of that version) may have been the source for the Storia d'una Crudele Matrigna, as many scholars have suggested (Paris (1876), Rajna (1880), etc.). However, D'Agostino does not concur with Gaston Paris' insistance that the extant Latin text was the source for the Libro (C) as well, instead suggesting that C and L both derived from a shared (lost) source, with intervening textual variation, cross-contamination, and mediation (p. 271-75).

Identification and general Information
Reference Number
Siglum of the version of the Seven Sages
Version Number
Title Il Libro dei Sette Savi
Author
Tradition and Lineage
Branch of the tradition West
Adapted from (version)
Adapted into (version)
Source for composition and adaptation information
Recorded secondary versions
Connected manuscripts
Language and Composition
Original language of version Italian
Language of text Italian
Regional or specific language of version Toscano
Translated into (languages)
Place of composition Tuscany, Italy
Date of composition 1301 - 1400
Islamic date of composition
Hebrew date of composition
Source for date of composition
Modern Scholarship and Editions
Modern research literature Rajna (1880)D'Agostino (2022)Bianchi (2014-2015)Lusiani (2019)Lasagni (2012)Ricci (1982)Marucci (1987)Cappelli (1865)
Modern Editions Capelli, Il libro de Sette Savi, 1865Lasagni, Il Libro dei Sette Savi di Roma (2012)Cappelli, Il Libro dei Sette Savi (1865)
Notes and Commentary
Note
Notes on motifs
Notes on the frame
Pattern of embedded stories in this version
Has Short TitleHas Sequence NumberHas NarratorHas Name Variation
Canis1  
Arbor2Empress 
Medicus3  
Aper4Empress 
Tentamina5  
Sapientes6Empress 
Avis7  
Gaza8Empress 
Inclusa9  
Roma10Empress 
Vidua11  
Virgilius12Empress 
Puteus13  

Connected prints

No connected prints