D (Sept Sages de Rome): Difference between revisions

From The Seven Sages of Rome
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{{Version
{{Version
|Has Description=In this version, the emperor is named Marcomeris, son of Priam, and his first wife is the daughter of the duke of Carthage. At the end of the narrative, the empress attempts twice to avert her death - once by insisting on a single combat duel between her nephew and the and the prince, and then by demanding a 'toise' (something which, according to Campbell, may be 'encircled by the arms') to be burned with her. Once granted, she claims the emperor himself as her 'toise'. The prince averts both of these ploys.
|Has Title=Sept Sages de Rome
|Has Title=Sept Sages de Rome
|Has Branch Of Tradition=West
|Has Branch Of Tradition=West
|Has Original Language Of Version=Old French
|Has Place Of Text Composition=France
|Has Text Language=Old French
|Has Text Language=Old French
|Has Modern Research Literature=Paris (1876); Campbell (1907); Foehr-Janssens (1994); Runte, Wikeley, Farrell (1984)
|Has Modern Research Literature=Paris (1876); Campbell (1907); Foehr-Janssens (1994); Runte, Wikeley, Farrell (1984)
|Has Note=In this version, the emperor is named Marcomeris, son of Priam, and his first wife is the daughter of the duke of Carthage. At the end of the narrative, the empress attempts twice to avert her death - once by insisting on a single combat duel between her nephew and the and the prince, and then by demanding a 'toise' (something which, according to Campbell, may be 'encircled by the arms') to be burned with her. Once granted, she claims the emperor himself as her 'toise'. The prince averts both of these ploys.
}}
}}
{{EmbeddedStory
{{EmbeddedStory
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|Has Short Title=Canis
|Has Short Title=Canis
|Has Sequence Number=2
|Has Sequence Number=2
|Has Narrator=Bencillas
|Has Narrator=Bancillas
|Has Name Variation=Bencillas
}}
}}
{{EmbeddedStory
{{EmbeddedStory
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|Has Short Title=Medicus
|Has Short Title=Medicus
|Has Sequence Number=4
|Has Sequence Number=4
|Has Narrator=Ancille
|Has Narrator=Anxilles
|Has Name Variation=Ancille
}}
}}
{{EmbeddedStory
{{EmbeddedStory
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|Has Short Title=Puteus
|Has Short Title=Puteus
|Has Sequence Number=6
|Has Sequence Number=6
|Has Narrator=Mauquidas
|Has Narrator=Malquidras
|Has Name Variation=Mauquidas
}}
}}
{{EmbeddedStory
{{EmbeddedStory
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|Has Short Title=Avis
|Has Short Title=Avis
|Has Sequence Number=10
|Has Sequence Number=10
|Has Narrator=Cathon
|Has Narrator=Cato
|Has Name Variation=Cathon
}}
}}
{{EmbeddedStory
{{EmbeddedStory
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|Has Short Title=Inclusa
|Has Short Title=Inclusa
|Has Sequence Number=14
|Has Sequence Number=14
|Has Narrator=Meros
|Has Narrator=Meron
|Has Name Variation=Meros
}}
}}
{{EmbeddedStory
{{EmbeddedStory

Revision as of 16:35, 3 February 2025

In this version, the emperor is named Marcomeris, son of Priam, and his first wife is the daughter of the duke of Carthage. At the end of the narrative, the empress attempts twice to avert her death - once by insisting on a single combat duel between her nephew and the and the prince, and then by demanding a 'toise' (something which, according to Campbell, may be 'encircled by the arms') to be burned with her. Once granted, she claims the emperor himself as her 'toise'. The prince averts both of these ploys.

Identification and general Information
Reference Number
Siglum of the version of the Seven Sages
Version Number
Title Sept Sages de Rome
Author
Tradition and Lineage
Branch of the tradition West
Adapted from (version)
Adapted into (version)
Source for composition and adaptation information
Recorded secondary versions
Connected manuscripts
Language and Composition
Original language of version Old French
Language of text Old French
Regional or specific language of version
Translated into (languages)
Place of composition France
Date of composition
Islamic date of composition
Hebrew date of composition
Source for date of composition
Modern Scholarship and Editions
Modern research literature Paris (1876)Campbell (1907)Foehr-Janssens (1994)Runte, Wikeley, Farrell (1984)
Modern Editions
Notes and Commentary
Note
Notes on motifs
Notes on the frame
Pattern of embedded stories in this version

Connected prints

No connected prints