Cambridge University Library MS Dd.1.17: Difference between revisions

From Seven Sages of Rome
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|Has Reference Number=Eng8
|Has Reference Number=Eng8
|Has Location=Cambridge, University Library
|Has Location=Cambridge, University Library
|Has Siglum=MS Dd.1.17, f. 54
|Has Siglum=Cambridge University Library MS Dd.1.17, f. 54
|Has Content=The Seven Sages of Rome: Midland English 'D' text
|Has Content=The Seven Sages of Rome: Midland English 'D' text
|Has Siglum Of The Version Of The Seven Sages=A*
|Has Siglum Of The Version Of The Seven Sages=A*
|Has Version Number=VEng2
|Has Version Number=VEng2
|Has Place Of Production=England
|Has Place Of Production=England
|Has Date Of Production=around 1400
|Has Date Of Production=1350-1400
|Has Source For Date Of Production=Whitelock, 2005
|Has Source For Date Of Production=Jill Whitelock, The Seven Sages of Rome (Midland Version), OUP, 2005
|Has Material=membrane
|Has Material=Parchment
|Has Language Of Manuscript=English
|Has Language Of Manuscript=English
|Has Language=Middle English, principally of northern and Midland forms
|Has Language=Middle English, principally of northern and Midland forms
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|Has Modern Research Literature=Jill Whitelock, The Seven Sages of Rome (Midland Version), OUP, 2005
|Has Modern Research Literature=Jill Whitelock, The Seven Sages of Rome (Midland Version), OUP, 2005
}}
}}
{{EmbeddedStory
|Has Short Title=Arbor
|Has Sequence Number=1
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Canis
|Has Sequence Number=2
|Has Narrator=Bancillas
}}
{{EmbeddedStory
|Has Short Title=Aper
|Has Sequence Number=3
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Medicus
|Has Sequence Number=4
|Has Narrator=Ancilles
}}
{{EmbeddedStory
|Has Short Title=Gaza
|Has Sequence Number=5
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Puteus
|Has Sequence Number=6
|Has Narrator=Lentilioun
}}
{{EmbeddedStory
|Has Short Title=Senescalcus
|Has Sequence Number=7
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Tentamina
|Has Sequence Number=8
|Has Narrator=Malquidras
}}
{{EmbeddedStory
|Has Short Title=Virgilius
|Has Sequence Number=9
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Avis
|Has Sequence Number=10
|Has Narrator=Catoun
}}
{{EmbeddedStory
|Has Short Title=Sapientes
|Has Sequence Number=11
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Vidua
|Has Sequence Number=12
|Has Narrator=Jesse
}}
{{EmbeddedStory
|Has Short Title=Roma
|Has Sequence Number=13
|Has Narrator=Empress figure
}}
{{EmbeddedStory
|Has Short Title=Inclusa
|Has Sequence Number=14
|Has Narrator=Maxencius
}}
{{EmbeddedStory
|Has Short Title=Vaticinium
|Has Sequence Number=15
|Has Narrator=Prince
}}
Some sages' names have been normalised; Whitelock's transcription gives the names as Lentulus, Maladas, Caton, Iesse, and Marcius.
The Midlands version, here described, is distinct from the other Middle English texts in a number of notable ways, including minor changes to the frame story (the Prince's mother dies while he is away at school, rather than before he leaves, for example), and small changes throughout. Whitelock (2005) observes that these changes tend to streamline the narrative, but also that, in the inset tales at least, they tend to make 'the fate of the female characters happy, but that of the men more unfortunate' (p. lii). Women get away with their tricks, or escape repudiation (in Vidua and Avis), while men more frequently die (including by suicide) in tales such as Canis, Puteus, and Inclusa. Conversely, this may lend gravity to the overall antifeminist bent of the text: Whitelock suggestions that 'the redactor... resists the temptation to curb these wicked women in the tales themselves', showing women to powerful, manipulative, and cunning, and thereby allowing 'the warning of the Sages [to] gain more weight' (p. liii).

Revision as of 11:43, 4 October 2023

Manuscript
Reference Number Eng8
Location Cambridge, University Library
Siglum/Shelfmark Cambridge University Library MS Dd.1.17, f. 54
Page/Folio range
Standardised title of narrative
Incipit or textual title
Version (siglum) A*
Language Group within Version
Narrative/Scholarly Group within Version
Further scholarly subgroup (1)
Further scholarly subgroup (2)
Translated/adapted from (Version/Text)
Source for information on textual relationship to broader tradition
Scribe
Author
Place of Manuscript Production England
Date of Manuscript Production 1350/1400
Source of date Manuscript Production Jill Whitelock, The Seven Sages of Rome (Midland Version), OUP, 2005
Material Parchment
Language of Manuscript English
Regional or specific Language of Manuscript Middle English, principally of northern and Midland forms
Source for regional or specific Language of Manuscript Jill Whitelock, The Seven Sages of Rome (Midland Version), OUP, 2005
Prose or Verse Verse
Other texts in the Manuscript Manuscript is divided into three volumes. The Seven Sages appears in the third volume (ff. 54^ra - 63^rb). A full list of the 24 other texts that make up the manuscript can be found in the source mentioned above; notably, it includes: Geoffrey of Monmouth, Historia Regum Britannie (vol 1, ff 111-121); a Latin version of Marco Polo's travel account (vol 2, ff 38-56); texts concerning Islam, including 'Fides Saracenorum' (vol 2, ff 71), De origine et progressu et fine Machometi et quadruplici reprobatione eius (vol 2 ff 71-74), William of Tripoli, De statu Saracenorum (vol 2 ff 74-79), and a Life of Muhammad (vol 2 f 79); Langland, Piers Plowman (B text) (Vol 3 ff 1-31); Mandeville's Travels (ff. 32-53).
Script style/form
Total pages/folios in Manuscript
Height 440
Width 305
Illustrations No
Digitisation
Modern Editions
Catalogue
Modern Research Literature Jill Whitelock, The Seven Sages of Rome (Midland Version), OUP, 2005

Pattern of embedded stories in this manuscript

Short StorySequence NumberNarratorName Variations
Arbor1Empress
Canis2Bancillas
Aper3Empress
Medicus4Ancilles
Gaza5Empress
Puteus6Lentulus
Senescalcus7Empress
Tentamina8MalquidrasMaladas
Virgilius9Empress
Avis10CatoCaton
Sapientes11Empress
Vidua12JesseIesse
Roma13Empress
Inclusa14MaxenciusMarcius
Vaticinium15Prince









Some sages' names have been normalised; Whitelock's transcription gives the names as Lentulus, Maladas, Caton, Iesse, and Marcius.

The Midlands version, here described, is distinct from the other Middle English texts in a number of notable ways, including minor changes to the frame story (the Prince's mother dies while he is away at school, rather than before he leaves, for example), and small changes throughout. Whitelock (2005) observes that these changes tend to streamline the narrative, but also that, in the inset tales at least, they tend to make 'the fate of the female characters happy, but that of the men more unfortunate' (p. lii). Women get away with their tricks, or escape repudiation (in Vidua and Avis), while men more frequently die (including by suicide) in tales such as Canis, Puteus, and Inclusa. Conversely, this may lend gravity to the overall antifeminist bent of the text: Whitelock suggestions that 'the redactor... resists the temptation to curb these wicked women in the tales themselves', showing women to powerful, manipulative, and cunning, and thereby allowing 'the warning of the Sages [to] gain more weight' (p. liii).