Hebrew Prints

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The Hebrew prints of Mishle Sendebar all fall under the umbrella of the Group A recension, according to Epstein. They are particularly noteworthy because of their close relationship with the contemporary manuscript transmission of the narrative; many of the later extant manuscripts are assumed to be copies of these early prints, and others to have influenced their composition.

General Information
Language within Version
Narrative / Scholarly Group
Parent Versions	Hebrew Mishle Sendebar, Hebrew Group A
Child Versions
Author
Title	משלי סנדבר (Mishle Sendebar)
Siglum of the version of the Seven Sages	Mishle Sendebar
Version Number
Branch of the tradition	East

Language & Composition
Original language of version	Hebrew
Translated into (languages)
Place of composition
Date of composition	1516
Source for date of composition	Epstein (1967)

Literature & Editions
Modern research literature	Epstein (1967)
Modern Editions	Cassel, Mischle Sindbad (Hebrew, with translation into German) (1888), Habermann, Mishle Sindbad (1946)

Recorded branch of this secondary version
Mishle Sendebar Hebrew Mishle Sendebar Hebrew Group A Hebrew Prints Hebrew Group B Hebrew Prints Latin Mishle Sendebar

Connected prints
Print Language Location Date of Print Divre ha-Yamim shel Moshe Rabbenu. Constantinople: R. Samuel Ibn Naamias, 1516 Hebrew 1516 JL Divre ha-Yamim shel Moshe Rabbenu. Venice: Giovanni di Gara, 1605 Hebrew 1605 Sefer Divre ha-yamim shel Mosheh rabenu. Venice: 1544 Hebrew 1544 JL

Adaptations
Adapted from (version)
Adapted into (version)
Source for composition and adaptation information

Languages in Use
Language of text	Hebrew
Regional or specific language of version

Notes
Note
Notes on motifs
Notes on the frame

Pattern of embedded stories in this version
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Connected manuscripts
No connected manuscripts