Welsh Version A: Chwedleu Seith Doethon Rufein
The Welsh version of the Seven Sages narrative, Chwedleu Seith Doethon Rufein, derives from the French Version A Sept Sages tradition, according to Gadsden (2021). It survives in three manuscripts dating from the late fourteenth to late fifteenth centuries, as well as several early modern and modern manuscripts dating from the 16th to 19th centuries. One of the three medeival manuscripts, Jesus College 111, is know as the Llyfr Coch Hergest (The Red Book of Hergest), and is 'considered to be one of the greatest medieval literary treasures of Wales, containing as it does early Welsh vernacular poetry, historical texts, the Mabinogi, the Charlemagne cycle, medical instructions, agricultural advice, prophecies, proverbs, a substantial amount of ‘hengerdd’, the earliest Welsh poetry and a text on grammar' (Gadsden 2021 p. 37). Across all three medieval manuscripts, the Chwedleu Seith Doethon Rufein sits alongside a mixture of instructional or religious texts, short poems, Arthurian material, traditional Welsh legends, and proverbs.
Though the Welsh Seven Sages is much shorter than any of its potential French parent texts, the Welsh redactor - identified in one manuscript as 'Llewelyn Offeiriad' (Llewelyn the Priest) - was clearly conversant in French literary style. The Chwedleu echoes stylistic elements of the French parent text, but blended with traditional Welsh narrative forms and structures (sometimes replicating passages from earlier Welsh texts word for word). The redactor also introduced several distinctive elements into the text that distinguish it from other Version A texts. This is immediately obvious from the embedded tales. After the first six tales, which follow the expected Version A pattern, the text then includes Ramus - a tale unique to the Chwedleu, replacing Avis - and also a distinctive version of Roma. The rest of the tales are in an unconventional order, and, according to Gadsden, 'some are modified, with their moral or message shifting, thereby altering their impact' (p. 65). This includes the rare event of a story - Roma - that is traditionally told by the Empress instead being told by one of the sages.
Other noteworthy details unique to the Chwedleu include the fact that the Emperor's first wife is given a name, Eua, or Eve (possibly a misreading of a passage from Paris Bibliothèque nationale de France, français 2137, according to Gadsden, p. 65). The text includes a unique digression in which the Empress searches for information about whether or not the Emperor can sire children, and learns (to her joy) of the existence of his son from a witch ('a horrid, toothless, one-eyed hag', Gadsden 2021 p. 247) - a passage lifted from the traditional tale Culhwch ac Olwen. The Chwedleu omits the name of the young seer who solves the mystery in Sapientes, which the French text gives as Merlin; however, a Welsh literary audience would already have been familiar with the figure of 'Myrddin' as a Wild Man of the Woods character (predating Geoffrey of Monmouth's Vita Merlini), so the choice to leave the seer-child anonymous may have been an expedient way of avoiding confusion. A similar aim may have underscored the decision to omit Avis, Gadsden suggests (2021, p. 124). Gadsden notes that the well-known tale of Branwen, from the second branch of the Mabinogi, features a wronged wife whose is saved from torture by a talking starling who truly reports her innocence. This is, of course, the inverse of Avis - Gadsden suggests that the familiarity with this narrative may have prompted the Welsh redactor to omit the tale. Taken in sum, the Welsh text seems to have been intentionally adapted to suit the late medieval Welsh literary audience.
Though not discussed in Gadsden's work (which, as the most recent, and only extensive English scholarship devoted to the material, has been a key source for this database), the Early Modern Welsh manuscripts appear to have continued the narrative and codicological trends of the earlier Middle Welsh texts. The five sixteenth-century manuscripts discussed by Henry Lewis, and edited in his two editions (Lewis, Y Seithwyr Doethion (1925) and Lewis, Modern Welsh Versions (1929)) appear to follow the same story-order found in the earlier mansucripts, including their anomalous stories. These versions of the Ystori Saith Doethion Rufain also usually are found in miscellanies, in company with a range of other Welsh texts.General Information | |
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Language within Version | |
Narrative / Scholarly Group | |
Parent Versions | A (Seven Sages) |
Child Versions | Early Modern and Modern Welsh Version A, Middle Welsh Version A |
Author | Llewelyn the Priest |
Title | Chwedleu Seith Doethon Rufein |
Siglum of the version of the Seven Sages | Welsh Version A: Chwedleu Seith Doethon Rufein |
Version Number | |
Branch of the tradition | West |
Language & Composition | |
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Original language of version | Middle Welsh |
Translated into (languages) | Welsh |
Place of composition | Wales, UK |
Date of composition | 1375 - 1415 |
Source for date of composition | Gadsden (2021) |
Literature & Editions | |
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Modern research literature | Gadsden (2020), Evans (1903), Huws (2000), Try (2015), Gadsden (2021), Lewis (1925, 1958, 1967), Lewis (1925), Lewis (1929) |
Modern Editions | Gadsden, Chwedleu Seith Doethon Rufein (2021), Lewis, Chwedleu Seith Doethn Rufein (1925, 1958, 1967), Lewis, Y Seithwyr Doethion (1925), Lewis, Modern Welsh Versions (1929) |
Recorded branch of this secondary version |
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Connected prints |
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No connected prints |
Adaptations | |
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Adapted from (version) | French Version A: Roman des Sept Sages |
Adapted into (version) | |
Source for composition and adaptation information | Gadsden (2021) |
Languages in Use | |
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Language of text | Welsh |
Regional or specific language of version | Middle Welsh |
Notes | |
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Note | |
Notes on motifs | |
Notes on the frame |
Pattern of embedded stories in this version |
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Connected manuscripts |
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