Spanish Version H: Los Siete Sabios de Roma: Difference between revisions
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{{Secondary Version}} | {{Secondary Version | ||
|Has Description=The fifteenth- and sixteenth-century prints titled ''La Historia de los Siete Sabios de Roma'' represent one of the three distinct Spanish branches of the tradition (along the ''[[Libro de los Engaños]]'' and the Spanish ''Scale Coeli''). The ''Siete Sabios'' prints following the Version [[H (Historia Septem Sapientum)]] pattern of embedded tales, and were frequently illustrated with elaborate woodcuts ([[Aranda García (2021a)|Aranda García 2021a]]; [[Aranda García (2023)|2023]]). | |||
The Spanish ''Siete Sabios'' prints offer a window into the movements of texts and - critically - printers in the late medieval period. For example, the earliest surviving print comes from the workshop of brothers Juan and Pablo Hurus, German printers working in Zaragoza in the late 15th/early 16th centuries; later prints (from 1510, 1534, and 1538) were produced in Sevilla by a different German printer, Jacobo Comberger (Aranda García 2021a, Lacarra 2014). | |||
|Has Title=Los Siete Sabios de Roma | |||
|Has Siglum=Spanish Version H: Los Siete Sabios de Roma | |||
|Has Branch Of Tradition=West | |||
|Has Original Language Of Version=Spanish | |||
|Has Place Of Text Composition=Spain | |||
|Has Start Date Of Composition=1475 | |||
|Has End Date Of Composition=1491 | |||
|Has Source For Date Of Text Composition=Aranda García (2021a) | |||
|Has Modern Research Literature=Lacarra (2014a); Lacarra (2015a); Aranda García (2021a); Farrell (1980) | |||
}} | |||
Revision as of 12:56, 7 April 2025
The fifteenth- and sixteenth-century prints titled La Historia de los Siete Sabios de Roma represent one of the three distinct Spanish branches of the tradition (along the Libro de los Engaños and the Spanish Scale Coeli). The Siete Sabios prints following the Version H (Historia Septem Sapientum) pattern of embedded tales, and were frequently illustrated with elaborate woodcuts (Aranda García 2021a; 2023).
The Spanish Siete Sabios prints offer a window into the movements of texts and - critically - printers in the late medieval period. For example, the earliest surviving print comes from the workshop of brothers Juan and Pablo Hurus, German printers working in Zaragoza in the late 15th/early 16th centuries; later prints (from 1510, 1534, and 1538) were produced in Sevilla by a different German printer, Jacobo Comberger (Aranda García 2021a, Lacarra 2014).
General Information
Language & Composition
Literature & Editions
Recorded Branch of This Secondary Version
- H (Historia Septem Sapientum)
- Armenian Version H
- Czech Version H: Kronika sedmi mudrců
- Danish Version H
- Dutch Version H
- English Version H
- French Version H
- German Version H
- Hungarian Version H: Pontianus tsaszar historiaia
- Icelandic Version H
- Latin Version H
- Lithuanian Version H
- Polish Version H
- Russian Version H
- Scots Version H: Rolland, Seuin Seages
- Spanish Version H: Los Siete Sabios de Roma
- Swedish Version H: Sju vise mästare
- Yiddish Version H
Connected Prints
Pattern of Embedded Stories in This Version
| Has Short Title | Has Sequence Number | Has Narrator | Has Name Variation |
|---|---|---|---|
| Arbor – The Tree | 1 | Empress | |
| Canis – The Faithful Dog | 2 | Bancillas | Pancillas |
| Aper – The Boar and the Fruit | 3 | Empress | |
| Puteus – The Well | 4 | Lentulus | Léntulo |
| Gaza – The Treasure | 5 | Empress | |
| Avis – The Bird | 6 | Cato | Cratón |
| Sapientes – The Wise Men | 7 | Empress | |
| Tentamina – The Test | 8 | Malquidras | Malquidrac |
| Virgilius – Virgil's Marvels | 9 | Empress | |
| Medicus – The Doctor | 10 | Josephas | José |
| Senescalcus and Roma – The Steward, and Rome Beseiged | 11 | Empress | |
| Amatores – The Three Lovers | 12 | Cleophas | Cleophás |
| Inclusa – The Imprisoned Wife | 13 | Empress | |
| Vidua – The Widow | 14 | Joachim | Joachím |