Inclusa: Difference between revisions

Latest revision as of 20:54, 10 July 2025

AdulteryImprisonmentGullible husbandDeceptionDeceitful womanEvidenceFalse evidence of virtueIdentity objectRingMarriageMistaken or concealed identityWoman locked up/kept indoors

The Imprisoned Wife

A lord is fiercely jealous of his wife, and locks her in a tower, permitting no man to see her and carrying the keys with him always. Far away, a knight dreams of a fair lady, and sets out to find her (in some versions, the lord's wife simultaneously dreams of the knight). He comes to the lord's tower, and sees the lady at her window, and knows it is the woman from his dreams. He bursts into a song of love, and she drops a letter to him, explaining her circumstances. The knight enters the lord's service, makes himself invaluable, and eventually builds a home next to the lady's tower - and creates a hole or tunnel through which he can enter to be with her. She gives him a ring, but when the lord sees the ring on the knight's finger, he recognises it as one he had given to his wife. That night, he asks her for it - but the knight had already returned it to her secretly, and the lord is satisfied. Then, the knight tells the lord that he must return to his own country, and that his beloved has arrived - and introduces the lord to his own wife, dressed elaborately in exotic clothes, as this foreign lady-love. The lord is suspicious at how much this woman resembles his wife, but when he returns to his wife's chambers after the meal, he once again finds her there. So when the knight prepares to depart with his 'beloved' the next day, the lord gives the woman to the knight in marriage, and they sail away; he only later discovers that his own wife has disappeared.

(From Brunner, Middle English Seven Sages)

Note
Nishimura notes extensive motif types, analogues, and references: Motifs and Types: TMI H1381.3.1.2.2 Quest for girl hero has been seen in dream; K1523, ATU 1419E Underground passage to paramour’s house; T11.3 Love through dream. Analogues: Aristophanes, The Festival of the Women Only (around line 420); Plautus, Miles Gloriosus; The Book of Tales by A.B.C., 303 (235) ‘You’ll never learn a woman’s games:…’; Le Roman de Flamenca; Legrand d’Aussy, Anciens Fabliaux, 3.156-164 ‘Le Chevalier à la trappe’; Sercambi, Il Novelliere, 143; Straparola, Le piacevoli Notti, 9.1; Der persische Dekameron, 19 ‘Die Schelmin’; Arabian Nights, Nights 963-978 ‘The Story of Qamar al-Zaman’ and King Shah Bakht and his Wazir al-Rahwan, 12.g ‘Tale of the Fuller and his Wife and the Trooper’; Das schwarze Dekameron, ‘The Apprenticeship of Ayni’. Reference stories, etc.: A. Blok, The Rose and the Cros; Saxo Grammaticus, Gesta Danorum, 5.3; Pentamerone, 5.6; Kathasaritsagara, ch. 71 (VI, pp. 37ff., in 163: 'Story of Mṛigankadatta and the man who was the gatekeeper’); Kalila and Dimna, Introduction, ‘The Water Bottle and the Lover’; The Story of the Four Mendicants, ‘The Journey of the First Mendicant’. The stories of seeing a woman in a dream and going to meet her include 'Zariadrēs and Odatis' (Ito Gikyo, Ancient Persia, pp. 323-325); Rosen, Das Papageienbuch, 26 Nights, 'Geschichte von der schönen Prinzessin von Griechenland’; Kathasaritsagara, ch. 122, (ed. Mehlig), 'Dei Geschichte von der die Männer hassenden Jungfrau Malayavatī'; and with the genders reversed, in Jāmī, Yusuf and Zulaikha. See also Les Cent Nouvelle Nouvelle, 1; Masuccio, Il Novellino, 14, 34, and 40. Additional Bibliography: Chauvin VIII 67, 233; IX 36; Landau 50; Krappe, 1935, pp. 213-226; Trenkner, pp. 131-133; Tsuji Naoshiro, History of Sanskrit Literature, 97; Maejima Shinji, The World of Arabian Nights, pp. 135-139; Nishimura, Disciplina Clericalis, pp. 293, 369.

Critical Literature
Nishimura (2001), Campbell (1907), Clouston (1884), Hilka (1917), Hoffman von Fallersleben (1838)

Inclusa appears in the following versions and secondary versions

Inclusa is narrated in the following occurrences

Narrator	Pages
Berous	K (Sept Sages de Rome)
Cratone	Edinburgh National Library of Scotland MS. 16500, Asloan Manuscript, Older Scots Version A: Buke of the Sevyne Sagis
Empress	Anonymous Verse Version, Berlin Staatsbibliothek Ms. theol. lat. qu. 272, Brno Moravská knihovna RKP-0048.042 (Rkp 84), Bühnenfassung / Stage adaptation: Sebastian Wild, Tragedj, Colmar Bibliothèque Municipale Ms. 55, Dresden Sächsische Landesbibliothek, Staats- und Universitätsbibliothek Mscr. Dresd. F 61a, Erlangen Universitätsbibliothek Ms. B 11, German Version H, H (Historia Septem Sapientum), Hans von Bühel, Dyocletianus Leben, Hystorij von Diocleciano, Latin Version H, Polish Version H, Prosafassung / Prose Version, Scots Version H: Rolland, Seuin Seages, Spanish Version H: Los Siete Sabios de Roma, Swedish Version H: Sju vise mästare, Thystorye of ye vii wyse Maysters of rome (English, 16th c.), Versfassung / Verse Version, Wien Schottenstift Cod. 33 (407)
Fifth Master	London British Library Additional MS 15685
Jesse	Aberystwyth National Library of Wales Cardiff MS 3.4 (RMWL Cardiff MS 5), Aberystwyth National Library of Wales Llanover MS 13075B, Aberystwyth National Library of Wales Llanstephan MS 117, Aberystwyth National Library of Wales Llanstephan MS 171, Aberystwyth National Library of Wales Llanstephan MS 2., Early Modern and Modern Welsh Version A, Middle Welsh Version A, Oxford Bodleian Library Jesus College MS. 111, Oxford Bodleian Library Jesus College MS. 20, Welsh Version A: Chwedleu Seith Doethon Rufein
Markes	M ('Male Marastre'), Paris Bibliothèque nationale de France, français 573
Maxencius	A (Seven Sages), Cambridge University Library MS Dd.1.17, Cambridge University Library MS Ff. 2, 38, London British Library Arundel 140, London British Library Cotton Galba E IX, London British Library Egerton 1995, Middle English Version A, Old Swedish Version A: Sju vise mästare, Oxford Balliol College Library MS 354 (Richard Hill's Commonplace Book), Oxford Bodleian Library Rawlinson poet. 175, Uppsala Universitetsbiblioteket Cod. C 7
Meron	Brussel Koninklijke Bibliotheek 9245, C (Sept Sages de Rome), Cambridge University Library MS Gg.6.28, Chartres Bibliothèque municipale 620, D (Sept Sages de Rome), French A/L Overlap, French Version A: Roman des Sept Sages, Paris Bibliothèque de l'Arsenal 3516, Paris Bibliothèque nationale de France, français 95
Prince	Berlin Staatsbibliothek Ms. lat. qu. 618, Latin Mishle Sendebar
Seventh Master	Chantilly Musée Condé MS 683, Dublin Trinity College Library Ms 667, Edinburgh National Library of Scotland Advocates MS 72.1.39, Gaelic Version A, German Version A: Allegatio/Libellus, Latin Version A, Latin Version A: Allegatio / Libellus, St. Florian Stiftsbibliothek Cod. XI 92 B, Wien Österreichische Nationalbibliothek Cod. 2937
Virgil	French Dolopathos

Inclusa appears in the following manuscripts

@@ Line 1: / Line 1: @@
 {{Inset Story
-|Has Critical Literature=Nishimura (2001)
+|Has Critical Literature=Nishimura (2001); Campbell (1907); Clouston (1884); Hilka (1917); Hoffman von Fallersleben (1838)
-|Has Content Tag=Adultery; Imprisonment; Gullible husband; Deception; Deceitful wife
+|Has Motif=Adultery; Imprisonment; Gullible husband; Deception; Deceitful woman; Evidence; False evidence of virtue; Identity object; Ring; Marriage; Mistaken or concealed identity; Woman locked up/kept indoors
 |Has Summary='''The Imprisoned Wife'''
 A lord is fiercely jealous of his wife, and locks her in a tower, permitting no man to see her and carrying the keys with him always. Far away, a knight dreams of a fair lady, and sets out to find her (in some versions, the lord's wife simultaneously dreams of the knight). He comes to the lord's tower, and sees the lady at her window, and knows it is the woman from his dreams. He bursts into a song of love, and she drops a letter to him, explaining her circumstances. The knight enters the lord's service, makes himself invaluable, and eventually builds a home next to the lady's tower - and creates a hole or tunnel through which he can enter to be with her. She gives him a ring, but when the lord sees the ring on the knight's finger, he recognises it as one he had given to his wife. That night, he asks her for it - but the knight had already returned it to her secretly, and the lord is satisfied. Then, the knight tells the lord that he must return to his own country, and that his beloved has arrived - and introduces the lord to his own wife, dressed elaborately in exotic clothes, as this foreign lady-love. The lord is suspicious at how much this woman resembles his wife, but when he returns to his wife's chambers after the meal, he once again finds her there. So when the knight prepares to depart with his 'beloved' the next day, the lord gives the woman to the knight in marriage, and they sail away; he only later discovers that his own wife has disappeared.
+(From Brunner, Middle English Seven Sages)
 |Has Note=Nishimura notes extensive motif types, analogues, and references:
@@ Line 11: / Line 13: @@
 '''Analogues:''' Aristophanes, ''The Festival of the Women Only'' (around line 420); Plautus, ''Miles Gloriosus''; ''The Book of Tales by A.B.C.'', 303 (235) ‘You’ll never learn a woman’s games:…’; ''Le Roman de Flamenca''; Legrand d’Aussy, ''Anciens Fabliaux'', 3.156-164 ‘Le Chevalier à la trappe’; Sercambi, ''Il Novelliere'', 143; Straparola, ''Le piacevoli Notti'', 9.1; ''Der persische Dekameron'', 19 ‘Die Schelmin’; ''Arabian Nights'', Nights 963-978 ‘The Story of Qamar al-Zaman’ and ''King Shah Bakht and his Wazir al-Rahwan'', 12.g ‘Tale of the Fuller and his Wife and the Trooper’; ''Das schwarze Dekameron'', ‘The Apprenticeship of Ayni’.
-'''Reference stories, etc.:''' A. Blok, ''The Rose and the Cros;'' Saxo Grammaticus, ''Gesta Danorum'', 5.3; ''Pentamerone'', 5.6; ''Kathasaritsagara'', ch. 71 (VI, pp. 37ff., in 163: 'Story of Mṛigankadatta and the man who was the gatekeeper’); ''Kalila and Dimna'', Introduction, ‘The Water Bottle and the Lover’; ''The Story of the Four Mendicants'', ‘The Journey of the First Mendicant’. The stories of seeing a woman in a dream and going to meet her include ‘Zariadrēs and Odatis’ (Ito Gikyo, ''Ancient Persia'', pp. 323-325); Rosen, ''Das Papageienbuch'', 26 Nights, ‘Geschichte von der schönen Prinzessin von Griechenland’; ''Kathasaritsagara'', ch.122, (ed. Mehlig), ‘Dei Geschichte von der die Männer hassenden Jungfrau Malayavatī’ (a man sees a woman, the princess, in his dream, who also sees a man in her dream and says she will die if she does not see him). In the opposite case, in Jāmī, ''Yusuf and Zulaikha'' (Zulaikha, who kept refusing marriage proposals in search of an ideal man, finally had to marry the vizier of Egypt, but she saw an ideal man in her dream and looked around for him, finally found him in the slave market, bought him, and lived a happy life). ''Les Cent Nouvelle Nouvelle'', 1 (The husband returns from a trip and goes to the neighbor’s house, where the neighbor is sleeping with a woman. He is shown her body with her face hidden, and thinks she looks like his wife, but he is told he’s misguided, and he is convinced. He eats a meal and goes home, but his wife goes through the back gate and goes home ahead of him). Masuccio, ''Il Novellino'', 14 (borrows money from a merchant in exchange for a female slave, and elopes with the merchant’s daughter and a large sum of money with the help of the female slave), 34 (a man in love with the landlady of an inn asks the master to help him escape a certain young man, so he dresses her as a man and has her escorted by the master), and 40 (falls in love with a goldsmith’s wife and asks her husband to help him elope with the sailor’s wife. He is unaware of his wife dressed as a man and is astonished when he returns home).
+'''Reference stories, etc.:''' A. Blok, ''The Rose and the Cros;'' Saxo Grammaticus, ''Gesta Danorum'', 5.3; ''Pentamerone'', 5.6; ''Kathasaritsagara'', ch. 71 (VI, pp. 37ff., in 163: 'Story of Mṛigankadatta and the man who was the gatekeeper’); ''Kalila and Dimna'', Introduction, ‘The Water Bottle and the Lover’; ''The Story of the Four Mendicants'', ‘The Journey of the First Mendicant’. The stories of seeing a woman in a dream and going to meet her include 'Zariadrēs and Odatis' (Ito Gikyo, ''Ancient Persia'', pp. 323-325); Rosen, ''Das Papageienbuch'', 26 Nights, 'Geschichte von der schönen Prinzessin von Griechenland’; ''Kathasaritsagara'', ch. 122, (ed. Mehlig), 'Dei Geschichte von der die Männer hassenden Jungfrau Malayavatī'; and with the genders reversed, in Jāmī, ''Yusuf and Zulaikha''. See also ''Les Cent Nouvelle Nouvelle'', 1; Masuccio, ''Il Novellino'', 14, 34, and 40.
-'''Bibliography:''' Chauvin VIII67, 233; IX36. Landau 50. Campbell, 1907, pp. cix-cxii. W.A. Clouston, pp.343-348. Krappe, 1935, pp.213-226. Trenkner, pp. 131-133. Tsuji Naoshiro, ''History of Sanskrit Literature'', §97; Maejima Shinji, ''The World of Arabian Nights'', pp.135-139. My translation of ''Disciplina Clericalis'', pp. 293, 369.
+'''Additional Bibliography:''' Chauvin VIII 67, 233; IX 36; Landau 50; Krappe, 1935, pp. 213-226; Trenkner, pp. 131-133; Tsuji Naoshiro, ''History of Sanskrit Literature'', 97; Maejima Shinji, ''The World of Arabian Nights'', pp. 135-139; Nishimura, ''Disciplina Clericalis'', pp. 293, 369.
 }}